From Publisher's Weekly... Who needs lawyers? Not Grisham, in his captivating new novel, now between hardcovers after serialization in the Oxford American. Here there are hardscrabble farmers instead, and dirt-poor itinerant workers and a seven-year-old boy who grows up fast in a story as rich in conflict and incident as any previous Grisham and as nuanced as his very best. It's September 1952 in rural Arkansas when young narrator Luke Chandler notes that ""the hill people and the Mexicans arrived on the same day."" These folk are in Black Oak for the annual harvest of the cotton grown on the 80 acres that the Chandlers rent. The three generations of the Chandler family treat their workers more kindly than most farmers do, including engaging in the local obsessionDplaying baseballDwith them, but serious trouble arises among the harvesters nonetheless. Most of it centers around Hank Spruill, a giant hillbilly with an equally massive temper, who one night in town beats a man dead and who throughout the book rubs up against a knife-wielding Mexican who is dating Hank's 17-year-old sister on the sly, leading to another murder. In fact, there's a mess of trouble in Luke's life, from worries about his uncle Ricky fighting in Korea to concerns about the nearby Latcher family and its illegitimate newborn baby, who may be Ricky's son. And then there are the constant fears about the weather, as much a character in this novel as any human, from the tornado that storms past the farm to the downpours that eventually flood the fields, ruining the crop and washing Luke and his family into a new life. Grisham admirers know that this author's writing has evolved with nearly every book, from the simple mechanics that made The Firm click to the manifestations of grace that made The Testament such a fine novel of spiritual reckoning. The mechanics are still visible hereDas a nosy, spying boy, Luke serves as a nearly omnipresent eye to spur the novel along its courseDbut so, too, are characters that no reader will forget, prose as clean and strong as any Grisham has yet laid down and a drop-dead evocation of a time and place that mark this novel as a classic slice of Americana. Agent, David Gernert. (One-day laydown, Feb. 6) FORECAST: Will Grisham's fans miss the lawyers? Not hardly. This is a Grisham novel all the way, despite its surface departures from the legal thrillers, and it will be received as such, justifying the 2.8-million first printing. (For more on Grisham, see Book News, p. 178)

This was a pretty good book, although at times the main character, Luke, was too wise for only being 7, so a little unbelievable.  

The Memory of Earth

From Amazon.com...High above the planet Harmony, the Oversoul watches. Its task, programmed so many millennia ago, is to guard the human settlement on this planet--to protect this fragile remnant of Earth from all threats. To protect them, most of all, from themselves.

The Oversoul has done its job well. There is no war on Harmony. There are no weapons of mass destruction. There is no technology that could lead to weapons of war. By control of the data banks, and subtle interference in the very thoughts of the people, the artificial intelligence has fulfilled its mission.

But now there is a problem. In orbit, the Oversoul realizes that it has lost access to some of its memory banks, and some of its power systems are failing. And on the planet, men are beginning to think about power, wealth, and conquest.


Pretty good, but not as good as Pathfinder....

A War of Gifts: An Ender Story

From Amazon.com...Orson Scott Card offers a Christmas gift to his millions of fans with this short novel set during Ender's first years at the Battle School where it is forbidden to celebrate religious holidays.

 

The children come from many nations, many religions; while they are being trained for war, religious conflict between them is not on the curriculum. But Dink Meeker, one of the older students, doesn't see it that way. He thinks that giving gifts isn't exactly a religious observation, and on Sinterklaas Day he tucks a present into another student's shoe.

This small act of rebellion sets off a battle royal between the students and the staff, but some surprising alliances form when Ender comes up against a new student, Zeck Morgan. The War over Santa Claus will force everyone to make a choice.

 

I enjoyed this short story. 

 

 

 

From Amazon.com...Rigg is well trained at keeping secrets. Only his father knows the truth about Rigg’s strange talent for seeing the paths of people’s pasts. But when his father dies, Rigg is stunned to learn just how many secrets Father had kept from him — secrets about Rigg’s own past, his identity, and his destiny. And when Rigg discovers that he has the power not only to see the past, but also to change it, his future suddenly becomes anything but certain. Rigg’s birthright sets him on a path that leaves him caught between two factions, one that wants him crowned and one that wants him dead. He will be forced to question everything he thinks he knows, choose who to trust, and push the limits of his talent . . . or forfeit control of his destiny.

I enjoyed this book even though the time travel physics was too complicated for me.  I am looking forward to reading the 2nd book.  

Disco for the Departed

From Publisher's Weekly..Set in the People's Democratic Republic of Laos in 1977, Cotterill's engrossing third mystery (after 2005's Thirty-three Teeth ) takes series hero Dr. Siri Paiboun, the 73-year-old national coroner who has recently discovered his shaman ancestry, and Nurse Dtui, his no-nonsense associate, from the capital, Vientiane, to remote Vieng Xai, where a cement-entombed corpse has turned up at the Laotian president's compound. At Kilometer 8 Hospital, Paiboun and Dtui meet Dr. Santiago, a charismatic surgeon on loan from Cuba, who uncovers crucial information about the victim's identity. As they close in on the killer, Paiboun and company must deal with soul-transfer, a marriage proposal, ancient rituals, frenetic dancing, racism and more murders. Horrific sacrificial rituals coexist seamlessly with the endless, banal red tape that hampers the investigation. Paiboun's gift for conversing with the dead comes in handy as he endures such strange happenings as nightly disco music only he can hear. This witty and unusual series just keeps getting better. (Aug.)

There are many things I enjoy about this series, but these books are difficult for me to follow because I don't know much about Laos, it's culture, and it's history.  So, I think I'll stop and read some other books for a while.

  

Thirty-Three Teeth

From Publisher's Weekly...Dr. Siri Paiboun of Laos—"reluctant national coroner, confused psychic, [and] disheartened communist"—employs forensic skills and spiritual acumen to solve a series of bizarre killings in Cotterill's quirky, exotic and winning second novel, set in 1977. Could an old escaped bear be mauling Vientiane citizens? Or is it something more mystical—say, a weretiger? When Paiboun is summoned to the capital to identify the nationality of a pair of charred bodies, he quickly flags them as Asians killed in a helicopter crash, and his ability to connect them to the royal family annoys Communist Party leaders. As Paiboun learns of an effort to get the remaining royal family members out of town, he's arrested, accused of damaging government property. But the witness's testimony is questionable, and Paiboun, representing himself in court, escapes this scrape as handily as he's escaped others before. Paiboun's droll wit and Cotterill's engaging plot twists keep things energetic; the rather grisly murders are offset by comedy, including a scene in which a Party member attempts to impose regulations on the spirit world. The elegant, elderly Paiboun seems an unlikely vehicle to carry a series (he debuted in 2004's The Coroner's Lunch ), but he does so with charm and aplomb. (Aug.)

The Coroner's Lunch

Publisher's Weekly: Confronted by the poisoning of an important official's wife and the sudden appearance of three bodies that may create an international incident between Laos and Vietnam, 72-year-old state coroner Dr. Siri Paiboun keeps his cool in Cotterill's engaging whodunit, set in Laos a year after the 1975 Communist takeover. Ably assisted by the entertaining Geung and ambitious Dtui, Siri calmly gleans clues from minute examinations of the bodies while circumnavigating bureaucratic red tape to arrive at justice. Only an attempt on his life manages to rattle him—and for good reason. In addition to being comfortable around corpses, Siri actually converses with the dead during his dreams. These scenes come across more as a personification of Siri's natural intuition than as a supernatural element. Less explainable is Siri's journey to a northern Laos army base, where he becomes involved in the witchcraft and spirit world of the local tribespeople. Despite this minor detour into the implausible and a later, jarring change in viewpoint, this debut mystery, with its convincing and highly interesting portrayal of an exotic locale, marks the author as someone to watch.


This was pretty good, but not great...I'll reserve my final judgment until I read the next one in the series.  

Ender's Game

From Barnes and Noble: In order to develop a secure defense against a hostile alien race's next attack, government agencies breed child geniuses and train them as soldiers. A brilliant young boy, Andrew "Ender" Wiggin lives with his kind but distant parents, his sadistic brother Peter, and the person he loves more than anyone else, his sister Valentine. Peter and Valentine were candidates for the soldier-training program but didn't make the cut—young Ender is the Wiggin drafted to the orbiting Battle School for rigorous military training.

Ender's skills make him a leader in school and respected in the Battle Room, where children play at mock battles in zero gravity. Yet growing up in an artificial community of young soldiers Ender suffers greatly from isolation, rivalry from his peers, pressure from the adult teachers, and an unsettling fear of the alien invaders. His psychological battles include loneliness, fear that he is becoming like the cruel brother he remembers, and fanning the flames of devotion to his beloved sister.

Is Ender the general Earth needs? But Ender is not the only result of the genetic experiments. The war with the Buggers has been raging for a hundred years, and the quest for the perfect general has been underway for almost as long. Ender's two older siblings are every bit as unusual as he is, but in very different ways. Between the three of them lie the abilities to remake a world. If, that is, the world survives.

Ender's Game is the winner of the 1985 Nebula Award for Best Novel and the 1986 Hugo Award for Best Novel.

To Kill a Mockingbird

                                                     From Amazon.com...
 "Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird."
A lawyer's advice to his children as he defends the real mockingbird of Harper Lee's classic novel—a black man charged with the rape of a white girl. Through the young eyes of Scout and Jem Finch, Harper Lee explores with rich humor and unswerving honesty the irrationality of adult attitudes toward race and class in the Deep South of the 1930s. The conscience of a town steeped in prejudice, violence, and hypocrisy is pricked by the stamina and quiet heroism of one man's struggle for justice—but the weight of history will only tolerate so much.
One of the best-loved classics of all time, To Kill a Mockingbird has earned many dis-tinctions since its original publication in 1960. It has won the Pulitzer Prize, been translated into more than forty languages, sold more than forty million copies worldwide, and been made into an enormously popular movie. It was also named the best novel of the twentieth century by librarians across the country (Library Journal).

I read this book along with the 7th grade gifted literature classes.  As I got into it, I realized that I have not ever read this book!  But, I enjoyed it very much and am looking forward to the movie.  

Hugo

From Publisher's Weekly...Here is a true masterpiece—an artful blending of narrative, illustration and cinematic technique, for a story as tantalizing as it is touching.
Twelve-year-old orphan Hugo lives in the walls of a Paris train station at the turn of the 20th century, where he tends to the clocks and filches what he needs to survive. Hugo's recently deceased father, a clockmaker, worked in a museum where he discovered an automaton: a human-like figure seated at a desk, pen in hand, as if ready to deliver a message. After his father showed Hugo the robot, the boy became just as obsessed with getting the automaton to function as his father had been, and the man gave his son one of the notebooks he used to record the automaton's inner workings. The plot grows as intricate as the robot's gears and mechanisms: Hugo's father dies in a fire at the museum; Hugo winds up living in the train station, which brings him together with a mysterious toymaker who runs a booth there, and the boy reclaims the automaton, to which the toymaker also has a connection.
To Selznick's credit, the coincidences all feel carefully orchestrated; epiphany after epiphany occurs before the book comes to its sumptuous, glorious end. Selznick hints at the toymaker's hidden identity (inspired by an actual historical figure in the film industry, Georges Méliès) through impressive use of meticulous charcoal drawings that grow or shrink against black backdrops, in pages-long sequences. They display the same item in increasingly tight focus or pan across scenes the way a camera might. The plot ultimately has much to do with the history of the movies, and Selznick's genius lies in his expert use of such a visual style to spotlight the role of this highly visual media. A standout achievement. Ages 9-12. (Mar.)

Since I saw the movie a few months ago, I thought I should read the book.  I enjoyed the book, although I didn't like the character of Hugo as well as I liked his character in the movie.   

Kingbird Highway

Amazon.com...
At sixteen, Kenn Kaufman dropped out of the high school where he was student council president and hit the road, hitching back and forth across America, from Alaska to Florida, Maine to Mexico. Maybe not all that unusual a thing to do in the seventies, but what Kenn was searching for was a little different: not sex, drugs, God, or even self, but birds. A report of a rare bird would send him hitching nonstop from Pacific to Atlantic and back again. When he was broke he would pick fruit or do odd jobs to earn the fifty dollars or so that would last him for weeks. His goal was to set a record - most North American species seen in a year - but along the way he began to realize that at this breakneck pace he was only looking, not seeing. What had been a game became a quest for a deeper understanding of the natural world. KINGBIRD HIGHWAY is a unique coming-of-age story, combining a lyrical celebration of nature with wild, and sometimes dangerous, adventures, starring a colorful cast of characters.

This book took about 3 weeks to read and was very interesting, although a little tedious in parts. What an incredible journey to take at such a young age.

Mockingjay

Publisher's Weekly..This concluding volume in Collins's Hunger Games trilogy accomplishes a rare feat, the last installment being the best yet, a beautifully orchestrated and intelligent novel that succeeds on every level. At the end of Catching Fire, Katniss had been dramatically rescued from the Quarter Quell games; her fellow tribute, Peeta, has presumably been taken prisoner by the Capitol. Now the rebels in District 13 want Katniss (who again narrates) to be the face of the revolution, a propaganda role she's reluctant to play. One of Collins's many achievements is skillfully showing how effective such a poster girl can be, with a scene in which Katniss visits the wounded, cameras rolling to capture (and retransmit) her genuine outrage at the way in which war victimizes even the noncombatants. Beyond the sharp social commentary and the nifty world building, there's a plot that doesn't quit: nearly every chapter ends in a reversal-of-fortune cliffhanger. Readers get to know characters better, including Katniss's sister and mother, and Plutarch Heavensbee, former Head Gamemaker, now rebel filmmaker, directing the circus he hopes will bring down the government, a coup possible precisely because the Capitol's residents are too pampered to mount a defense. "In return for full bellies and entertainment," he tells Katniss, explaining the Latin phrase panem et circenses, "people had given up their political responsibilities and therefore their power." Finally, there is the romantic intrigue involving Katniss, Peeta and Gale, which comes to a resolution that, while it will break some hearts, feels right. In short, there's something here for nearly every reader, all of it completely engrossing.

I thoroughly enjoyed this book...

Catching Fire

Publisher's Weekly..Fresh from their improbable victory in the annual Hunger Games, Katniss and Peeta get to enjoy the spoils only briefly before they must partake in a Capitol-sponsored victory tour. But trouble is brewing—President Snow tells Katniss directly he won’t stand for being outsmarted, and she overhears rumbles of uprisings in Panem’s districts. Before long it’s time for the next round of games, and because it’s the 75th anniversary of the competition, something out of the ordinary is in order. If this second installment spends too much time recapping events from book one, it doesn’t disappoint when it segues into the pulse-pounding action readers have come to expect. Characters from the previous volume reappear to good effect: Katniss’s stylist, Cinna, proves he’s about more than fashion; Haymitch becomes more dimensional. But the star remains Katniss, whose bravery, honesty and wry cynicism carry the narrative. (About her staff of beauticians she quips: “They never get up before noon unless there’s some sort of national emergency, like my leg hair.”) Collins has also created an exquisitely tense romantic triangle for her heroine. Forget Edward and Jacob: by book’s end (and it’s a cliffhanger), readers will be picking sides—Peeta or Gale?

Loved this book!

Hunger Games

Publisher's Weekly..Reviewed by Megan Whalen Turner

If there really are only seven original plots in the world, it's odd that “boy meets girl” is always mentioned, and “society goes bad and attacks the good guy” never is. Yet we have Fahrenheit 451 , The Giver , The House of the Scorpion —and now, following a long tradition of Brave New Worlds, The Hunger Games .

Collins hasn't tied her future to a specific date, or weighted it down with too much finger wagging. Rather less 1984 and rather more Death Race 2000 , hers is a gripping story set in a postapocalyptic world where a replacement for the United States demands a tribute from each of its territories: two children to be used as gladiators in a televised fight to the death.

Katniss, from what was once Appalachia, offers to take the place of her sister in the Hunger Games, but after this ultimate sacrifice, she is entirely focused on survival at any cost. It is her teammate, Peeta, who recognizes the importance of holding on to one's humanity in such inhuman circumstances. It's a credit to Collins's skill at characterization that Katniss, like a new Theseus, is cold, calculating and still likable. She has the attributes to be a winner, where Peeta has the grace to be a good loser.

It's no accident that these games are presented as pop culture. Every generation projects its fear: runaway science, communism, overpopulation, nuclear wars and, now, reality TV. The State of Panem—which needs to keep its tributaries subdued and its citizens complacent—may have created the Games, but mindless television is the real danger, the means by which society pacifies its citizens and punishes those who fail to conform. Will its connection to reality TV, ubiquitous today, date the book? It might, but for now, it makes this the right book at the right time.

What happens if we choose entertainment over humanity? In Collins's world, we'll be obsessed with grooming, we'll talk funny, and all our sentences will end with the same rise as questions. When Katniss is sent to stylists to be made more telegenic before she competes, she stands naked in front of them, strangely unembarrassed. “They're so unlike people that I'm no more self-conscious than if a trio of oddly colored birds were pecking around my feet,” she thinks. In order not to hate these creatures who are sending her to her death, she imagines them as pets. It isn't just the contestants who risk the loss of their humanity. It is all who watch.

Katniss struggles to win not only the Games but the inherent contest for audience approval. Because this is the first book in a series, not everything is resolved, and what is left unanswered is the central question. Has she sacrificed too much? We know what she has given up to survive, but not whether the price was too high. Readers will wait eagerly to learn more.

Megan Whalen Turner is the author of the Newbery Honor book The Thief and its sequels, The Queen of Attolia and The King of Attolia. The next book in the series will be published by Greenwillow in 2010.

I read this book a few years ago and picked it up again in anticipation of the movie release. Gus, Liza, and I all love this series and can't wait for the movie.

To The Nines

Publisher's Weekly.."My name is Stephanie Plum and I was born and raised in the Chambersburg section of Trenton, where the top male activities are scarfing pastries and pork rinds and growing ass hair." Within pages of this elegant introduction to the latest installment in Evanovich's bestselling numbered series, the less-than-stellar bounty hunter Stephanie Plum has managed to haul in a fat, naked and, yes, furry "skip" who has greased himself up with Vaseline to literally give her the slip. In the midst of taking him to the police station, however, Plum drops everything to help her beloved Grandma Mazur, who calls to say that Stephanie's mom locked herself in the bathroom to escape the craziness of the Plum family. Finally, Plum checks in at the office, where her employer and cousin, the bailbondsman Vinnie, assigns her back-up duty on the thorny case of a missing Indian man, Samuel Singh. Vinnie previously wrote a bond ensuring that Singh would leave the country when his visa expired, so the latter's disappearance drives Vinnie to call in the devastatingly attractive Ranger, his star enforcer, and assign Stephanie to help him. As fans know, the mysterious Ranger has long competed with the equally sexy Morelli to be the object of Plum's desire, so his presence—just as Plum has temporarily moved in with Morelli—keeps the sexual tension high. An awkward plot that takes Plum to Vegas is the weakest course in this meal. Yet Evanovich's many fans will be more than happy with their latest serving of Stephanie Plum—that cute, bumbling, irresistibly average Jersey girl—who just happens to have more laughs, more sizzling sexual tension, and more nonstop, zany adventure than anybody else around.

I was on track to read all of the Stephanie Plum books again but am stopping after #9 as I don't like the later ones as much as the early ones....maybe I'll pick them up later..

Hard Eight

Publisher's Weekly..The menace is more personal for Trenton's favorite bounty hunter and the energy more manic in this latest outing than in last year's Seven Up. As a favor to her mother's next-door neighbor, Mabel Markowitz, Stephanie agrees to check up on the lady's granddaughter, Evelyn Soder, who has suddenly taken off with her little girl, Annie, leaving behind a child custody bond against Mabel's house. The son-in-law is a bad guy who lost his bar to Eddie Abruzzi, a very nasty character who owns Evelyn's building. Soon someone in a bunny suit is trailing Stephanie, her car is blown up, her apartment infiltrated and a dead body appears on her couch. She calls in her associate, Ranger, the gorgeous and mysterious Cuban bond agent, while her sometime boyfriend, Morelli the cop, also gets on the case—a real doozy for which she's not getting paid. On the home front, ever-raunchy Grandma Mazur is eager to assist. Sister Valerie and kids have moved back in as well, so there's nowhere but the couch for Stephanie and one bathroom for all. Valerie is inexplicably attracted to Evelyn's goofy lawyer, who's been tagging along with Stephanie and the ever-outrageous file clerk and ex-hooker Lula, further complicating this twisted case. Life in the Burg takes on a sinister turn with serious results. Evanovich does it again, delivering an even more suspenseful and more outrageous turn with the unstoppable Stephanie, heroine of all those who have to live on peanut butter until the next check comes through. Waiting for nine will be tough.

Seven UP

Publisher's Weekly... It's always a treat to go out on a case with Stephanie Plum, the sassy, adventurous, but not always successful Trenton, N.J., bounty hunter. In her seventh outing (after 2000's Hot Six), Stephanie's employer, her bailbondsman cousin, Vinnie, gives her an easy job: pick up vicious senior citizen Eddie DeChooch, who is constantly sighted racing around Trenton in a borrowed white Cadillac, but whom no one can grab. While in Virginia picking up the cigarettes he's charged with smuggling into New Jersey, he stole the heart from the recently dead body of his enemy, Louis DeStephano. The heart's whereabouts define the darkly hilarious trajectory of the plot. The usual characters inhabit the novel: Steph's former high school buddies, the zonked-out Dougie and Mooner; and Evanovich's best creation, feisty Grandma Mazur. Stephanie's much-resented sister Valerie returns from California with her two daughters, her "perfect" marriage ended, and moves in with her parents, to their dismay. Steph and her lover Joe Morelli almost set a wedding date, but again she avoids commitment, still attracted to fellow bounty hunter Ranger. At times the plot meanders: Stephanie and pal Lula spend too much time running from house to house in the inbred Burg neighborhood, while two semi-retired crooks looking for DeChooch keep breaking into her apartment for little reason. All in all this is another zesty Evanovich read, but one that doesn't quite hit the high marks of her last two. (June 19)

Hot Six

Publisher's Weekly...Sexy, smart-talking New Jersey bounty hunter Stephanie Plum returns for her sixth wildly amusing mystery (after 1999's High Five). Determination and contacts (she's grown up with half the cops and crooks in Trenton) compensate for Steph's poor aim with a gun, bad luck with cars and soft-hearted approach to her job (one bail jumper evades her four times). The police are after her mentor, the mysterious Ranger, wanted for killing drug and gun dealer Homer Ramos. Claiming he's innocent, Ranger persuades Steph to help him keep an eye on the Ramos clan. Steph teams up with her lover, vice cop Joe Morelli, then strikes out on her own when she realizes neither Joe nor Ranger will share information with her. When Mafia thugs get involved, she barely avoids kidnapping and torture. Meanwhile, there's her love life to deal with. Can she be physically attracted to Ranger and be in love with Joe? Evanovich spins all these threads, plus more, into a lunatic tapestry of nonstop action peopled by wacky characters straight out of a 1930s screwball comedy: Steph's Grandma Mazur, 80 years old, with the world view of a teenage punk; Mooner and Dougie, two lovable but zonked-out stolen goods dealers who have a closeout sale before going to jail; Habib and Mitchell, mobsters who follow Steph when Mitchell's wife doesn't need the car for kids' soccer games; and Steph's co-worker and pal, Lula, a gun-toting ex-prostitute always ready for an adventure. Evanovich just keeps getting better.

High Five

Publisher's Weekly...Fans of Evanovich's tales of the adventures of Stephanie Plum (Four to Score, etc.), Jersey girl and bounty hunter extraordinaire, have been eagerly anticipating this next installment in the popular series. The good news is that the novel is just as wacky and over the top as its predecessors, and that the disaster-prone Stephanie has brought along her usual wild-and-crazy crew of sidekicks and loony relatives to help her chase down felons. Evanovich even manages to make the dowdy working-class city of Trenton, N.J., seem like a hip, edgy place for her funky characters to live. But Trenton also has its share of nefarious criminals for Stephanie to pursue--folk like Randy Briggs, the dwarf, who not only repeatedly eludes her grasp but keeps taunting her as a loser. Stephanie careens through her days, looking for her missing Uncle Fred and taking on FTA (failure to appear) cases for her cousin Vinnie, a bail bondsman. Further complications ensue when she tries to earn extra money by moonlighting on quasi-legal ""security"" jobs for Ranger, her dangerously sexy mentor at the bounty-hunting game. Ranger is looking awfully good to Stephanie these days, and she is finding it hard to choose between him and old flame Joe Morelli. Evanovich tells her fast-paced and furiously funny story expertly. The action never stops, the dialogue is snappy and the characters are more than memorable. Readers can't miss with this one.

Four To Score

From Publisher's Weekly...
Half-Hungarian, half-Italian and all-Jersey, Trenton's best-known bounty hunter, Stephanie Plum, is a raucous delight in this fast-paced sequel to Three to Get Deadly (1997). There's no such thing as a simple assignment for Stephanie. When Maxine Nowicki, charged with stealing her boyfriend's car, skips her court appearance, she's fair game to be hauled in--no big challenge, thinks Stephanie. Wrong. Before the case is over, Stephanie will invade an Atlantic City casino with her intrepid allies: sneaker-shod Grandma Mazur; her colleague Lula, ""a two-hundred pound black woman with blond baloney curls all dressed up like Cher on a bad day""; and Sally, a seven-foot transvestite rock singer. Although Stephanie is the bounty hunter, she's the only one of the quartet who isn't armed. She also loses another car and her apartment, moves in with handsome cop and longtime love interest, Joe Morelli (causing a stir in his family and hers), has several memorable run-ins with arch rival Joyce Barnhardt, discovers a corpse and, finally, catches her quarry. With her brash exterior and high emotionality, Stephanie Plum is a welcome antidote to suave professional PIs. The supporting cast members, eccentric and recognizable, are as entertaining as those devised by Westlake and Leonard. Major ad/promo; author tour. (June)

This book is hilarious!

Three to Get Deadly

From Publisher's Weekly...
Trenton, N.J., bounty hunter and former lingerie buyer Stephanie Plum (last seen in Two for the Dough) becomes persona non grata when she tracks down a neighborhood saint who has failed to show up for his court appearance. No one wants to help Stephanie, who works for her bail-bondsman cousin, Vinnie. While questioning admirers of the man nicknamed Uncle Mo, Stephanie is attacked and knocked out as she cases his candy store. She comes to next to the dead body of her attacker, who turns out to be a well-known drug dealer. Suddenly, she can't avoid stumbling across the bodies of dead drug dealers: one in a dumpster, one in a closet and four in the candy store basement. Stephanie suspects that mild-mannered Mo has become a vigilante and is cleaning up the streets in a one-man killing spree. But when she's repeatedly threatened by men wearing ski masks, she wonders if Mo has company and just might be in over his head. Despite her new clownish orange hair job, Stephanie muddles through another case full of snappy one-liners as well as corpses. By turns buttressed and hobbled by her charmingly clueless family and various cohorts (including streetwise co-worker Lulu, detective and heartthrob Morelli and professional bounty hunter Ranger), the redoubtable Stephanie is a character crying out for a screen debut.

Loved this book!

Extremely Loud and Incredibly Close

From Publisher's Weekly...
EXTREMELY LOUD AND INCREDIBLY CLOSE Jonathan Safran Foer . Houghton Mifflin , $24.95 (368p) ISBN 0-618-32970-6 Oskar Schell, hero of this brilliant follow-up to Foer's bestselling Everything Is Illuminated , is a nine-year-old amateur inventor, jewelry designer, astrophysicist, tambourine player and pacifist. Like the second-language narrator of Illuminated , Oskar turns his naïvely precocious vocabulary to the understanding of historical tragedy, as he searches New York for the lock that matches a mysterious key left by his father when he was killed in the September 11 attacks, a quest that intertwines with the story of his grandparents, whose lives were blighted by the firebombing of Dresden. Foer embellishes the narrative with evocative graphics, including photographs, colored highlights and passages of illegibly overwritten text, and takes his unique flair for the poetry of miscommunication to occasionally gimmicky lengths, like a two-page soliloquy written entirely in numerical code. Although not quite the comic tour de force that Illuminated was, the novel is replete with hilarious and appalling passages, as when, during show-and-tell, Oskar plays a harrowing recording by a Hiroshima survivor and then launches into a Poindexterish disquisition on the bomb's "charring effect." It's more of a challenge to play in the same way with the very recent collapse of the towers, but Foer gambles on the power of his protagonist's voice to transform the cataclysm from raw current event to a tragedy at once visceral and mythical. Unafraid to show his traumatized characters' constant groping for emotional catharsis, Foer demonstrates once again that he is one of the few contemporary writers willing to risk sentimentalism in order to address great questions of truth, love and beauty.

Hmmmm...an interesting book, which I liked, although it was difficult to follow at times. I'm waiting for the movie to come out in the dollar theaters.

Two for the Dough

Sassy, brassy Stephanie Plum, the bounty hunter from Trenton, N.J., introduced to acclaim in last year's One for the Money, returns to track a bond jumper through her blue-collar neighborhood known as the ``burg.'' A local funeral home, a slimy undertaker and mutilated corpses figure large in the search for Kenny Mancuso, who, having shot an old high-school friend in the knee, posted bail with Stephanie's boss, her cousin, and then disappeared. When the old friend is shot again, fatally, Stephanie reluctantly joins forces with her sexy enemy and love interest, Trenton homicide cop Joe Morelli. While looking for Kenny, Stephanie also searches for 24 caskets stolen from Spiro Stiva, heir apparent of Stiva's Mortuary and also a high-school buddy of Kenny's. As body parts, cut from ``clients'' on view at Stiva's, are used to warn people off the case, Stephanie and Morelli spar in a lively if expected fashion and Stephanie's feisty gun-toting Grandma Mazur forsakes her usual routine of talk-show TV and attending wakes to join the fight against crime. Readers will likely stay a few steps ahead of the sleuths, but the sharp repartee and Stephanie's slightly cynical but still fond relationship with her family and the burg hold a treasury of urban-style charms. $100,000 ad/promo; Mystery Guild selection; Literary Guild alternate selection; author tour. (Jan.)

Hilarious! I love these books!

Little Face

Publisher's Weekly...
British author Hannah (Hurting Distance ) weaves together two narrative voices to create this complex and occasionally forced thriller set in rural England. Excitable new mother Alice Fancourt calls the police, claiming her baby girl has been replaced by a nearly identical infant. Alice believes her husband, David, is responsible, but it soon appears that David's mother, the rich and formidable Vivienne, is up to no good. Det. Simon Waterhouse has a soft spot for the possibly delusional Alice, with whom he alternates narration, but his undeveloped character renders their relationship, or lack thereof, of little interest. More engrossing is Waterhouse's complicated friendship with his boss, Sgt. “Charlie” Zailer, a feisty, appealing woman with a major crush on her subordinate. When Alice and the baby disappear and the police reopen the murder investigation of David's first wife, some interesting discoveries are made, but readers enticed by the intriguing opening will find the payoff ultimately unsatisfying. (Oct.)

This book was ok, not excellent. In the end I wasn't convinced that Alice was able to do what she did.....

One For The Money

From Publisher's Weekly...
First novels this funny and self-assured come along rarely; dialogue this astute and raunchy is equally unusual. The gutsy heroine introduced here is Stephanie Plum of Trenton, N.J., a recently laid-off lingerie buyer who has no job, no car and no furniture. She does have a hamster, a deranged grandmother, two caring parents and several pairs of biking shorts and sports bras. Finding work with her cousin Vinnie, she becomes a bond hunter and scrounges money enough to buy a gun, a Chevy Nova and some Mace. Her first assignment is to locate a cop accused of murder. Joe Morelli grew up in Stephanie's neighborhood. Possessed of legendary charm, he relieved Stephanie of her virginity when she was 16 (she later ran over him with a car). In her search, Stephanie catches her prey, loses him and grills a psychotic prizefighter, the employer of the man Morelli shot. She steals Morelli's car and then installs an alarm so he can't steal it back. Resourceful and tough, Stephanie has less difficulty finding her man than deciding what she wants to do with him once she's got him. While the link between the fighter and the cop isn't clear until too late in the plot, Evanovich's debut is a delightful romp and Stephanie flaunts a rough-edged appeal. Mystery Guild alternate; author tour; film rights optioned to Tri-Star.

I read this book a long time ago, but re-read it last week (while sitting in jury duty!) in anticipation of seeing the movie.

The Immortal Life of Henrietta Lacks

From Publisher's Weekly...

Science journalist Skloot makes a remarkable debut with this multilayered story about “faith, science, journalism, and grace.” It is also a tale of medical wonders and medical arrogance, racism, poverty and the bond that grows, sometimes painfully, between two very different women—Skloot and Deborah Lacks—sharing an obsession to learn about Deborah’s mother, Henrietta, and her magical, immortal cells. Henrietta Lacks was a 31-year-old black mother of five in Baltimore when she died of cervical cancer in 1951. Without her knowledge, doctors treating her at Johns Hopkins took tissue samples from her cervix for research. They spawned the first viable, indeed miraculously productive, cell line—known as HeLa. These cells have aided in medical discoveries from the polio vaccine to AIDS treatments. What Skloot so poignantly portrays is the devastating impact Henrietta’s death and the eventual importance of her cells had on her husband and children. Skloot’s portraits of Deborah, her father and brothers are so vibrant and immediate they recall Adrian Nicole LeBlanc’s Random Family. Writing in plain, clear prose, Skloot avoids melodrama and makes no judgments. Letting people and events speak for themselves, Skloot tells a rich, resonant tale of modern science, the wonders it can perform and how easily it can exploit society’s most vulnerable people. (Feb.)

This was a very good book....

I am Half-Sick of Shadows

Publisher's Weekly...
Christmas comes early for precocious Flavia de Luce with the arrival of a glamorous London film crew at Buckshaw, her family’s country house, in Agatha-winner Bradley’s fourth post-WWII mystery starring the endearing 11-year-old sleuth (after February 2011’s A Red Herring Without Mustard). Flavia, a chemistry prodigy, must push her previous project—concocting a super stickum to trap Santa—to the back burner after actress Phyllis Wyvern turns up dead in a wingback chair with “a length of ciné film, tied tightly, but neatly, in an elaborate black bow” around her throat. The murder investigation pits the cheeky schoolgirl’s considerable deductive prowess against the local constabulary—and puts her in grave danger. With its sharply drawn characters, including the hiss-worthy older de Luce sisters, and an agreeable puzzle playing out against the cozy backdrop of a British village at Christmas, this is a most welcome holiday gift for Flavia fans. (Nov.)

I thoroughly enjoyed this book, and love Flavia's character!

Percy Jackson and the Last Olympian (#5)

Publisher's Weekly..
Percy Jackson's fifth and final adventure begins with a blast and gets increasingly more explosive. It reads less like a novel than a 400-page battle scene set in Manhattan, pitting Percy, Annabeth, Grover & Co. against a pantheon of monsters intent on reaching the portal to Mount Olympus (located on the 600th floor of the Empire State Building). In other words: fans will not be disappointed. All the action takes place in the days before Percy's 16th birthday, on which a prophecy has foretold "a single choice shall end his days." Readers who have watched their dyslexic hero grow into his considerable powers since age 12 will not be surprised by his brave leadership. Or as Percy, facing the Minotaur's army, puts it in typically wry fashion: "It was now roughly one hundred and ninety-nine to one. I did the natural thing. I charged them." Details about Luke's childhood explain his traitorous allegiance to Kronos; Annabeth and Rachel Dare vie for Percy's attention; and the final clash would keep a Hollywood special effects team busy for years. As the capstone to this beloved series, this story satisfies. And a surprise character takes on the mantle of Oracle, instantly issuing a new prophecy that suggests, happily, there's more fun with the demigods to come. Ages 10–up. (May)

This was my least favorite of all the Percy Jackson books..I just read it to get it done.

Percy Jackson and the Battle of the Labyrinth (#4)

Publisher's Weekly...
Percy Jackson's fourth summer at Camp Half-Blood is much like his previous three—high-octane clashes with dark forces, laced with hip humor and drama. Opening with a line for the ages—"The last thing I wanted to do on my summer break was blow up another school"—this penultimate series installment finds Percy, Annabeth and the satyr Grover furiously working to prevent former camp counselor Luke from resurrecting the Titan lord Kronos, whose goal is to overthrow the gods. When the heroes learn that Luke can breach Camp Half-Blood's security through an exit from Daedalus's Labyrinth, they enter the maze in search of the inventor and a way to stop the invasion. Along the way they encounter a lifetime supply of nightmare-inducing, richly imagined monsters. Grover's own quest to find the lost god Pan, meanwhile, provides a subtle environmental message. Percy, nearly 15, has girl trouble, having become something of a chick magnet. One of Riordan's strengths is the wry interplay between the real and the surreal. When the heroes find Hephaestus, for instance, he's repairing a Toyota, wearing overalls with his name embroidered over the chest pocket. The wit, rousing swordplay and breakneck pace will once again keep kids hooked. Ages 10-up. (May)

I think this is the Percy Jackson book I enjoyed the most...

The Last Book in the Universe

Publisher's Weekly...
Like the hero from his last novel, REM World, Philbrick's latest misfit protagonist embarks on an adventure in a fantastic--and often frightening--alternative world. Spaz, an abandoned epileptic, lives on postapocalyptic Earth, destroyed long ago by an earthquake. The gray sky rains acid, the food is largely ""tasteless protein chunks"" and the creation of ""mindprobes,"" virtual reality movies implanted directly in the brain, is destroying what's left of civilization. When Spaz learns that Bean, his foster sister, is dying, he begins a forbidden journey to see her. Ryter, a wise old man, accompanies Spaz and outwits most of their foes; he also ultimately teaches Spaz the value of keeping stories alive. The author creates some fascinating characters, such as the Monkey Boys, a brutal band ""as wild as the paint on their faces""; Lanaya, a genetically improved girl whom Spaz and Ryter rescue; and the Furies, assassins who work for the boss of the ""underworld traders."" Once they find Bean, Lanaya--in return for saving her life--takes them to the one place where Bean stands a chance of survival, Eden. This biblical allusion, plus allegorical references to the Odyssey (the ending echoes James Joyce's monologue for Penelope), is not fully developed, and some of the episodes are a bit abrupt (e.g., the encounter with the Monkey Boys and the Furies). But Philbrick's creation of a futuristic dialect, combined with striking descriptions of a postmodern civilization, will convincingly transport readers to Spaz's world. Ages 10-14. (Nov.)

The literature class I attend with some of the students I work with is reading this book, and the first lines had me hooked: "If you are reading this it must be a thousand years from now. Because nobody around here reads anymore." I bought the book for Gus since his Lit. class is reading it too, and I just finished it last night.

I am the Messenger - December Read

Publisher's Weekly:
Australian cabdriver Ed Kennedy is 19, aimlessly lurching into adulthood when he thwarts a bank robbery in the hilarious opening scene of this gritty, gripping and ultimately romantic mystery. Ed's 15 minutes of fame set his life in a new direction: he begins receiving playing cards with cryptic clues, such as addresses or names unknown to him. Following these clues leads him to intervene in the lives of others. In the most chilling bit, a gun appears in his mailbox, which he assumes is intended for his use in dealing with a man who is brutalizing his wife. The assignments don't get more violent but they do get more personal, such as those involving Ed's mother, "one of those tough women you couldn't kill with an axe,"and his lovable misfit mates—Ritchie, Marv and Audrey. Zusak takes the subtleties of family dynamics, previously examined in his Fighting Ruben Wolfe and Getting the Girl , to a new level here. As the novel progresses, even Ed's unsympathetic parents take on three dimensions. The author artfully pulls readers through the many plot twists, building to a startling revelation. The metafictional ending may strike some readers as a shortcut, but it's sure to spark discussion, and readers will remember the characters long after they close the book. Even Ed's rank-smelling dog, The Doorman, is well-drawn. Graphic situations (both violent and sexual) mark this as a book for more sophisticated readers. Don't start this compulsively readable book without enough time to read it straight through to the final page. Ages 12-up. (Feb.)

I found this book so unusual but very captivating.

Miss Peregrine's Home for Peculiar Children - December Read

Riggs's atmospheric first novel concerns 16-year-old Jacob, a tightly wound but otherwise ordinary teenager who is "unusually susceptible to nightmares, night terrors, the Creeps, the Willies, and Seeing Things That Aren't Really There." When Jacob's grandfather, Abe, a WWII veteran, is savagely murdered, Jacob has a nervous breakdown, in part because he believes that his grandfather was killed by a monster that only they could see. On his psychiatrist's advice, Jacob and his father travel from their home in Florida to Cairnholm Island off the coast of Wales, which, during the war, housed Miss Peregrine's Home for Peculiar Children. Abe, a Jewish refugee from the Nazis, lived there before enlisting, and the mysteries of his life and death lead Jacob back to that institution. Nearly 50 unsettling vintage photographs appear throughout, forming the framework of this dark but empowering tale, as Riggs creates supernatural backstories and identities for those pictured in them (a boy crawling with bees, a girl with untamed hair carrying a chicken). It's an enjoyable, eccentric read, distinguished by well-developed characters, a believable Welsh setting, and some very creepy monsters. Ages 12–up. (June)

A very different book which I enjoyed...

Explosive 18 - December Read

From Amazon:
Bounty hunter Stephanie Plum’s life is set to blow sky high when international murder hits dangerously close to home, in this dynamite novel by Janet Evanovich.

Before Stephanie can even step foot off Flight 127 Hawaii to Newark, she’s knee deep in trouble. Her dream vacation turned into a nightmare, and she’s flying back to New Jersey solo. Worse still, her seatmate never returned to the plane after the L.A. layover. Now he’s dead, in a garbage can, waiting for curbside pickup. His killer could be anyone. And a ragtag collection of thugs and psychos, not to mention the FBI, are all looking for a photograph the dead man was supposed to be carrying.

Only one other person has seen the missing photo—Stephanie Plum. Now she’s the target, and she doesn’t intend to end up in a garbage can. With the help of an FBI sketch artist Stephanie re-creates the person in the photo. Unfortunately the first sketch turns out to look like Tom Cruise, and the second sketch like Ashton Kutcher. Until Stephanie can improve her descriptive skills, she’ll need to watch her back.


I finished this book over Christmas break, and while it was highly entertaining, the later Stephanie books are not nearly as good as the earlier ones. They are making a movie of the first book, One for the Money, so I will have to read that one again.

The Titans Curse (PJ #3) - December Read

Booklist Reviews
Just after finding Bianca and Nico, two newly discovered half-bloods, Percy, Grover, Annabeth, and Thalia end up trapped between a helicopter and a manticore. Artemis and her Hunters save the day, but Annabeth disappears over a cliff; then Artemis rushes off to hunt a dangerous monster. Back at Camp Half-Blood, the Oracle foretells that Artemis must be rescued and makes a prediction that bodes ill for one of their number—but which one? Percy, who is supposed to remain behind while others pursue the quest, follows in search of the missing Annabeth. Their adventures range widely across the U.S., taking them to locales that include Washington, D.C., and the deserts of the Southwest and pitting them against the usual assortment of colorful adversaries. The Percy Jackson & the Olympians series is built around a terrific idea—that the half-mortal offspring of Greek gods live among us, playing out struggles of mythic scale—and Riordan takes it from strength to strength with this exciting installment, adding even more depth to the characters and story arc while retaining its predecessors' nonstop laughs and action.