From Publisher's Weekly....
This graphically inventive sequence of concrete poems, printed in red and black on white, mimes an 11-year-old's sarcastic perspective. The protagonist, Robert, opens with a poem in black type that traces the diameter of a clock; six words in red ink, roundabout the number seven, indicate the start and conclusion ("I wake up in the morning...") of a school-to-homework-to-bed cycle. The narrator's wry attitude becomes more apparent in a footnoted letter that dutifully thanks an aunt for a hated gift. "I'm already planning when to wear my new sweater," Robert writes, and only readers catch his footnoted subtext ("the next time you come to visit. I just hope nobody sees me"). The interrelated statements evolve from ridiculous daydreams and everyday pastimes alike. In one spread, Robert imagines a typographical wrestling match between the words "octopus" and "boa constrictor"; in a skateboarding story, his angled and twisting words leap invisible curbs on the bare white page, while red letters shout, "Hey kid!... Get outta here!" Knowing audience members will appreciate the scatological wit of poems like "Bloodcurdling Screams," where spiraling bright-red text ("...Ow Ow Ow Hoo Hoo...") suggests what happens when a brother flushes a toilet during his sister's shower. Grandits (Pictures Tell Stories ) weaves Robert's portrait in distorted letterforms, language mazes and comic first-person narration. A technically (and imaginatively) inspired typeface experiment. Ages 9-13. (Oct.)
I picked this up as I was checking in books - hilarious!
Tuesday, April 30, 2013
Thursday, April 25, 2013
The White Bicycle
From Amazon.com...
2013 Printz Honor
The White Bicycle is the third stand-alone title in the Wild Orchid series about a young woman with Asperger's Syndrome. This installment chronicles Taylor Jane's travels to the south of France where she spends a summer babysitting for the Phoenix family. Including flashbacks into Taylor's earliest memories, along with immediate scenes in Lourmarin, a picturesque village in the Luberon Valley, The White Bicycle results in a journey for independence both personal and universal, told in Taylor's honest first-person prose.
Lovely book...probably ok for middle schoolers even though the main character is 19.
2013 Printz Honor
The White Bicycle is the third stand-alone title in the Wild Orchid series about a young woman with Asperger's Syndrome. This installment chronicles Taylor Jane's travels to the south of France where she spends a summer babysitting for the Phoenix family. Including flashbacks into Taylor's earliest memories, along with immediate scenes in Lourmarin, a picturesque village in the Luberon Valley, The White Bicycle results in a journey for independence both personal and universal, told in Taylor's honest first-person prose.
Lovely book...probably ok for middle schoolers even though the main character is 19.
Saturday, April 20, 2013
Inside Out and Back Again
From Publisher's Weekly...
2012 Newbery Honor
2011 National Book Award
Narrating in sparse free-verse poems, 10-year-old Hà brings a strong, memorable voice to the immigrant experience as her family moves from war-torn South Vietnam to Alabama in 1975. First-time author Lai, who made the same journey with her family, divides her novel into four sections set in Vietnam, "At Sea," and the last two in Alabama. Lai gives insight into cultural and physical landscapes, as well as a finely honed portrait of Hà's family as they await word about Hà's POW father and face difficult choices (awaiting a sponsor family, "...Mother learns/ sponsors prefer those/ whose applications say ‘Christians.'/ Just like that/ Mother amends our faith,/ saying all beliefs/ are pretty much the same"). The taut portrayal of Hà's emotional life is especially poignant as she cycles from feeling smart in Vietnam to struggling in the States, and finally regains academic and social confidence. A series of poems about English grammar offer humor and a lens into the difficulties of adjusting to a new language and customs ("Whoever invented English/ should be bitten/ by a snake"). An incisive portrait of human resilience. Ages 8–12. (Mar.)
Loved the poetry style of this book, and I loved that the story is autobiographical. A little young for middle schoolers.
2012 Newbery Honor
2011 National Book Award
Narrating in sparse free-verse poems, 10-year-old Hà brings a strong, memorable voice to the immigrant experience as her family moves from war-torn South Vietnam to Alabama in 1975. First-time author Lai, who made the same journey with her family, divides her novel into four sections set in Vietnam, "At Sea," and the last two in Alabama. Lai gives insight into cultural and physical landscapes, as well as a finely honed portrait of Hà's family as they await word about Hà's POW father and face difficult choices (awaiting a sponsor family, "...Mother learns/ sponsors prefer those/ whose applications say ‘Christians.'/ Just like that/ Mother amends our faith,/ saying all beliefs/ are pretty much the same"). The taut portrayal of Hà's emotional life is especially poignant as she cycles from feeling smart in Vietnam to struggling in the States, and finally regains academic and social confidence. A series of poems about English grammar offer humor and a lens into the difficulties of adjusting to a new language and customs ("Whoever invented English/ should be bitten/ by a snake"). An incisive portrait of human resilience. Ages 8–12. (Mar.)
Loved the poetry style of this book, and I loved that the story is autobiographical. A little young for middle schoolers.
Tuesday, April 16, 2013
Aristotle and Dante Discover the Secrets of the Universe
From Publisher's Weekly...
Printz Honor 2013
Belpre Award 2013
Fifteen-year-old Aristotle (Ari) has always felt lonely and distant from people until he meets Dante, a boy from another school who teaches him how to swim. As trust grows between the boys and they become friends (a first for Ari), Ari’s world opens up while they discuss life, art, literature, and their Mexican-American roots. Additionally, the influence of Dante’s warm, open family (they even have a “no secrets” rule) is shaping Ari’s relationship with his parents, particularly in regard to a family secret; Ari has an older brother in prison, who no one ever mentions. In a poetic coming-of-age story written in concise first-person narrative, Sáenz (Sammy and Juliana in Hollywood) crystallizes significant turning points in the boys’ relationship, especially as Ari comes to understand that Dante’s feelings for him extend beyond friendship. The story swells to a dramatic climax as Ari’s loyalties are tested, and he confronts his most deeply buried fears and desires. It’s a tender, honest exploration of identity and sexuality, and a passionate reminder that love—whether romantic or familial—should be open, free, and without shame. Ages 12–up. (Feb.)
This is a wonderful book and was hard to put down when I was reading it...in fact, I finished it in two days! Probably most appropriate for high school.
Printz Honor 2013
Belpre Award 2013
Fifteen-year-old Aristotle (Ari) has always felt lonely and distant from people until he meets Dante, a boy from another school who teaches him how to swim. As trust grows between the boys and they become friends (a first for Ari), Ari’s world opens up while they discuss life, art, literature, and their Mexican-American roots. Additionally, the influence of Dante’s warm, open family (they even have a “no secrets” rule) is shaping Ari’s relationship with his parents, particularly in regard to a family secret; Ari has an older brother in prison, who no one ever mentions. In a poetic coming-of-age story written in concise first-person narrative, Sáenz (Sammy and Juliana in Hollywood) crystallizes significant turning points in the boys’ relationship, especially as Ari comes to understand that Dante’s feelings for him extend beyond friendship. The story swells to a dramatic climax as Ari’s loyalties are tested, and he confronts his most deeply buried fears and desires. It’s a tender, honest exploration of identity and sexuality, and a passionate reminder that love—whether romantic or familial—should be open, free, and without shame. Ages 12–up. (Feb.)
This is a wonderful book and was hard to put down when I was reading it...in fact, I finished it in two days! Probably most appropriate for high school.
Monday, April 15, 2013
Moon Over Manifest
From Publisher's Weekly..
2011 Newbery Award
2011 Newbery Award
Set in 1936, this memorable coming-of-age story follows 12-year-old Abilene Tucker's unusual summer in her father's hometown of Manifest, Kans., while he's away on a railroad job. Having had an itinerant upbringing, Abilene is eager to connect to her father's childhood, a goal that proves difficult. The immigrant town has become rundown, but is populated with well-developed, idiosyncratic characters and has a dynamic past involving the KKK, an influenza scare, and a bootlegging operation. Manifest's history emerges in stories recounted by Miss Sadie (a Hungarian medium) and in news columns written in 1917 by Hattie Mae Harper, "Reporter About Town." With new friends Lettie and Ruthanne, Abilene pieces together the past, coming to understand, as Miss Sadie says, that "maybe what you're looking for is not so much the mark your daddy made on this town, but the mark the town made on your daddy." Witty, bold, and curious, Abilene is as unforgettable as the other residents of Manifest, and the variety of voices allows the town's small mysteries to bloom. Replete with historical details and surprises, Vanderpool's debut delights, while giving insight into family and community. Ages 9–12. (Oct.)
I enjoyed this book and I think it's good for middle schoolers, even older ones.
Thursday, April 4, 2013
Bomb: The Race to Build and Steal the World's Most Dangerous Weapon
From Publisher's Weekly...
2013 Siebert Award
2013 Newbery Honor
In his highly readable storytelling style, Sheinkin (The Notorious Benedict Arnold) weaves together tales of scientific and technological discovery, back-alley espionage, and wartime sabotage in a riveting account of the race to build the first atomic weapon. The famous (Robert Oppenheimer) and infamous (spy Harry Gold) headline an enormous cast of characters, which also includes Norwegian resistance fighter Knut Haukelid, whose secret wartime missions prevented Hitler from acquiring an atom bomb. B&w portraits of key players appear in photo- montages that begin each of the book’s four sections. Sheinkin pulls from numerous sources to supply every chapter with quotations that swiftly move the narrative forward. Suspenseful play-by-play moments will captivate, from the nuclear chain reaction test at the University of Chicago to the preparations for and dropping of the first bomb over Hiroshima. In a “genie out of the bottle” epilogue, details of the Cold War’s escalating arms race and present-day weapons counts will give readers pause, especially Sheinkin’s final thoughts: “It’s a story with no end in sight. And, like it or not, you’re in it.” A must-read for students of history and science. Ages 10–up. (Sept.)
I really enjoyed this book, even though I don't usually read history. The author told the story of the atomic bomb in a very engaging manner. Appropriate for middle school.
2013 Siebert Award
2013 Newbery Honor
In his highly readable storytelling style, Sheinkin (The Notorious Benedict Arnold) weaves together tales of scientific and technological discovery, back-alley espionage, and wartime sabotage in a riveting account of the race to build the first atomic weapon. The famous (Robert Oppenheimer) and infamous (spy Harry Gold) headline an enormous cast of characters, which also includes Norwegian resistance fighter Knut Haukelid, whose secret wartime missions prevented Hitler from acquiring an atom bomb. B&w portraits of key players appear in photo- montages that begin each of the book’s four sections. Sheinkin pulls from numerous sources to supply every chapter with quotations that swiftly move the narrative forward. Suspenseful play-by-play moments will captivate, from the nuclear chain reaction test at the University of Chicago to the preparations for and dropping of the first bomb over Hiroshima. In a “genie out of the bottle” epilogue, details of the Cold War’s escalating arms race and present-day weapons counts will give readers pause, especially Sheinkin’s final thoughts: “It’s a story with no end in sight. And, like it or not, you’re in it.” A must-read for students of history and science. Ages 10–up. (Sept.)
I really enjoyed this book, even though I don't usually read history. The author told the story of the atomic bomb in a very engaging manner. Appropriate for middle school.
Monday, April 1, 2013
Dark Emperor and Other Poems of the Night
From Publisher's Weekly...
2011 Newbery Honor
"Welcome to the night!" cries the opening poem in this celebration of nocturnal life. Everything from snails to mushrooms has a role to play and something different to say (the title is taken from a concrete poem about a horned owl, narrated by its would-be prey: "Perched missile,/ almost invisible, you/ preen silent feathers,/ swivel your sleek satellite/ dish of a head"). Spiders offer advice, porcupettes pirouette, and the moon laments the dawn, all illuminated by debut talent Allen's detailed yet moody prints, which encapsulate the mysteries and magic of the midnight hours. Opposite each poem is a short note on the featured creature, explaining its appearance and habits. In Sidman's delicious poems, darkness is the norm, and there's nothing to fear but the rising sun. Ages 6–9. (Sept.)
Beautiful poems and illustrations
2011 Newbery Honor
"Welcome to the night!" cries the opening poem in this celebration of nocturnal life. Everything from snails to mushrooms has a role to play and something different to say (the title is taken from a concrete poem about a horned owl, narrated by its would-be prey: "Perched missile,/ almost invisible, you/ preen silent feathers,/ swivel your sleek satellite/ dish of a head"). Spiders offer advice, porcupettes pirouette, and the moon laments the dawn, all illuminated by debut talent Allen's detailed yet moody prints, which encapsulate the mysteries and magic of the midnight hours. Opposite each poem is a short note on the featured creature, explaining its appearance and habits. In Sidman's delicious poems, darkness is the norm, and there's nothing to fear but the rising sun. Ages 6–9. (Sept.)
Beautiful poems and illustrations
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