Now

From Publisher's Weekly...

Following Once and Then, this finale to Gleitzman’s trilogy brings the stories of Felix and Zelda, orphaned children in Nazi-occupied Poland, to a conclusion both frightening and tender. Though this story can be read on its own, similarities in narrative voice connect the tales (as in the earlier volumes, the titular word begins each chapter). Readers of the previous books will quickly recognize a new setting—21st-century Australia—and narrator: Felix’s 10-year-old granddaughter, named Zelda after his brave, murdered friend. Gleitzman subtly explores Felix’s terrible survivor’s guilt and its effect on following generations, against the backdrop of Australia’s heat wave and devastating 2009 bushfires. Felix’s impassioned confrontation with local bullies (“People die because of stupid, vicious talk like that”) gives Zelda a rare glimpse into the past of a grandfather she admires, while emphasizing how undeserving she feels of her name, believing she lacks her namesake’s bravery. Felix’s altruism in the face of calamity frees Zelda to embrace the present, while her courage helps him save a life and put to rest his oldest love. A poignant close to an affecting and heartrending history. Ages 10–up. (May)

Very good!

Then

From Amazon...

Felix and Zelda have escaped the death camp train, but where do they go now? They’re two runaway kids in Nazi-occupied Poland during World War II. Danger lies at every turn of the road.

With the help of a woman named Genia and their active imaginations, Felix and Zelda find a new home and begin to heal, forming a new family together. But can it last?

Morris Gleitzman’s winning characters will tug at readers’ hearts as they struggle to survive in the harsh political climate of Poland in 1942. Their lives are difficult, but they always remember what matters: family, love, and hope.

A 2012 Sydney Taylor Honor Book for Teen Readers

Even better than the first book, but very sad.  Good for middle school, especially 8th graders.  

Once

From Publisher's Weekly...


Tension builds swiftly in this wrenching tale as Felix, a preteen Polish Jew, narrates his experience of Holocaust atrocities, framed by a search for his parents that begins when he escapes from a Catholic orphanage. A natural storyteller, Felix begins each chapter with a formulaic prelude: "Once I was living in a cellar in a Nazi city with seven other children," before chronicling events in which his narrative gifts provide comfort and courage to himself and others in increasingly bleak circumstances. After finding his home occupied by hostile neighbors, Felix witnesses pointless murders on a forced march. Gleitzman (Toad Rage) allows readers to draw conclusions before Felix does (he thinks a book burning is being conducted by "professional librarians in professional librarian armbands"), making poignant Felix's gradual loss of innocence when he realizes that Hitler is not a protector but "the boss of the Nazis," and when he finally accepts his parents' deaths. The humorous dimension of Felix's narration provides welcome relief, while courageous acts of kindness by Catholic nuns, a German neighbor, and a Jewish dentist lend this tragedy universality. Ages 12–up. (Apr.)

Wonderful book!  I will most surely read the next two in the series.

Insurgent

From Publisher's Weekly...

Roth knows how to write. So even though this second book of the trilogy that began with Divergent feels like a necessary bridge between the haunting story she created in book one and the hinted-at chaos of book three, readers will be quick to forgive. Tris, reeling from the loss of her parents and guilt-ridden over having shot her best friend, must escape the Erudite faction’s horrific takeover by fleeing first to Amity and then Candor. Reluctantly, she joins forces with the “factionless” to defeat Erudite. As stubborn and self-destructive as ever, Tris butts heads with Tobias and tests everyone’s (perhaps even readers’) patience. Roth keeps every chapter action-packed, moving Tris tantalizingly close to learning the secret her parents were fighting to unleash. The author has a subtle way of pulling readers into a scene (“The outside air.... smells green, the way a leaf does when you tear it in half”), and the novel’s love story, intricate plot, and unforgettable setting work in concert to deliver a novel that will rivet fans of the first book. Ages 14–up. Agent: Joanna Volpe, Nancy Coffey Literary and Media 

I didn't like this book nearly as much as the first book.  It almost has too much action..Tris is always on the emotional and physical brink.  A little mature for middle school.  

Divergent

From Publisher's Weekly....

In this edgy debut (definitely not for the fainthearted), first in a trilogy, promising author Roth tells the riveting and complex story of a teenage girl forced to choose, at age 16, between her routinized, selfless family and the adventurous, unrestrained future she longs for. Beatrice "Tris" Prior lives in crumbling dystopian Chicago, where citizens are divided into five factions—Candor, Abnegation, Dauntless, Amity, and Erudite—depending on their beliefs, passions, and loyalties. When Tris forsakes her Abnegation family to become one of the wild, fearless Dauntless, she must confront her deepest fears, learn to trust her fellow initiates, and guard the ominous secret that she is actually a Divergent, with the strengths of multiple factions, and is therefore a target of dangerously controlling leaders. Roth's descriptions of Tris's initiation process are as spellbinding as they are violent, while the tremulous romance between Tris and her protective and demanding instructor, Four, unfurls with heart-stopping tenderness. For those who loved The Hunger Games and are willing to brave the sometimes sadistic tests of strength and courage Tris must endure, the reward is a memorable, unpredictable journey from which it is nearly impossible to turn away. Ages 14–up. (May)

I really enjoyed this!  It's a little old for middle school...but might be ok.  I'm definitely going to read the next book.  

Gone

School Library Journal Review....

Gr 7 Up— "One minute the teacher was talking about the Civil War. And the next minute he was gone." Just vanished—along with everyone else over the age of 13 in a 20-mile radius around Perdido Beach, CA. The children left behind find themselves battling hunger, fear, and one another in a novel strongly reminiscent of William Golding's Lord of the Flies . Things go from bad to worse when some of the children begin exhibiting strange powers, animals show signs of freakish mutations, and people disappear as soon as they turn 14. Though an excellent premise for a novel, Gone suffers from a couple of problems. First, it is just too long. After opening with a bang, the initial 200 or so pages limp along before the action begins to really pick up. Secondly, based on the themes of violence, death, and implied sexual intimidation, this is clearly written for an older teen audience who may not appreciate the fact that no one in the book is older than 13. In spite of its faults, Gone is a gripping and gritty read with enough creepy gruesomeness to satisfy readers who have a taste for the macabre. Give this one to the readers who aren't quite ready for Stephen King or Dean Koontz.—Jane Henriksen Baird, Anchorage Public Library, AK

I liked this book...reminds me of Lord of the Flies.  I'm pretty sure though that it was everyone over the age of 14 who disappeared, although all the reviews I read said 13.  Anyway, I think this first one of the series is appropriate for middle school.  

City of Bones

From Publisher's Weekly....

Clare's debut novel, first in the Mortal Instruments series, is a sprawling urban fantasy packed with just about every type of creature known to the genre, and still spacious enough to hold more. Fifteen-year-old Clary Fray witnesses a killing in an "all-ages club"; when she confronts the attackers, she learns that they are spectral Shadowhunters, charged with killing demonic creatures called Night Children. Clary returns home to find her apartment vandalized and her mother missing, apparently kidnapped by creatures in the service of someone named Valentine. An attack by a slithering beast sends Clary to the infirmary at the Institute, hidden home of the Shadowhunters. There she befriends the hunter Jace, who tells her of Valentine's intention to find the Mortal Cup, one of three Mortal Instruments the Angel gave to the first Shadowhunters (the others are a mirror and sword). Great secrets abound both in Clary's past and in her own head—secrets that are gradually revealed to her about her mother, her mother's eccentric friend Luke, her relationship with Jace and, eventually, about Valentine himself. Clare's atmospheric setting is spot-on, informed equally by neo-gothic horror films and the modern fantasy leanings of Neil Gaiman. Werewolves, vampires, angels and fairies all fit in this ambitious milieu. At the core, though, this is a compelling story about family secrets and coming-of-age identity crises. Fans of the smart/chic horror typified by Buffy the Vampire Slayer will instantly fall for this new series. Ages 14-up. (Apr.)

I thought this was good, but not good enough to continue reading the series, although I can see why it's so popular.  Definitely YA, but would probably be ok in a middle school library.