Small as an Elephant

Booklist Reviews

*Starred Review* This simply written but emotionally rich tale of an 11-year-old boy abandoned by his bipolar single mother will kindle profound responses in young readers. Waking up in a campground on Maine's Mount Desert Island to find his mother gone, Jack's initial worry is tempered by the knowledge that she has vanished before during episodes of what he calls her spinning times. But now she has left him with little more than his clothes and a few dollars in his pocket. Justifiably afraid that he will end up forcibly separated from his mother if he seeks any adult help, he sets out on foot for their Boston home. Jacobson credibly reconstructs his route and thought processes as his increasing physical exhaustion mirrors his inner turmoil, and he tries to stay out of sight while finding food and shelter over several days. The trek ends on a less believable but ultimately satisfying turn; Jack is finally caught after his fascination with elephants prompts him to change course in hopes of seeing Lydia, the only live elephant in Maine, and a youth worker who has been searching for him actually takes him for a visit before contacting the authorities. Though Jack's mother never does appear, she does exert a strong presence on the tale by being constantly on his mind and in his memories. Each chapter is introduced with a quote or fact about elephants, mirroring Jack's obsession with the animal, illuminating aspects of the boy's identity, and harmonizing with the events of his journey. A deeply perceptive look at the universal fear of abandonment, and how one child copes with a damaged parent. Copyright 2011 Booklist Reviews.

Adorable!  My first ebook read! 

Eleanor and Park

From Publisher's Weekly…
2014 Printz Honor…

Half-Korean sophomore Park Sheridan is getting through high school by lying low, listening to the Smiths (it’s 1986), reading Alan Moore’s Watchmen comics, never raising his hand in class, and avoiding the kids he grew up with. Then new girl Eleanor gets on the bus. Tall, with bright red hair and a dress code all her own, she’s an instant target. Too nice not to let her sit next to him, Park is alternately resentful and guilty for not being kinder to her. When he realizes she’s reading his comics over his shoulder, a silent friendship is born. And slowly, tantalizingly, something more. Adult author Rowell (Attachments), making her YA debut, has a gift for showing what Eleanor and Park, who tell the story in alternating segments, like and admire about each other. Their love is believable and thrilling, but it isn’t simple: Eleanor’s family is broke, and her stepfather abuses her mother. When the situation turns dangerous, Rowell keeps things surprising, and the solution—imperfect but believable—maintains the novel’s delicate balance of light and dark. Ages 13–up. 

Good, but not my type of story…too sappy.  

In the Shadow of Blackbirds

From Publisher's Weekly....
2014 Morris Debut Finalist

Sixteen-year-old Mary Shelley Black lives up to her striking name—she’s a curious girl fascinated by science, living in 1918, “a year the devil designed,” as Mary puts it. With WWI raging on and Mary’s father on trial for treason, she goes to live with her Aunt Eva in San Diego, Calif., even as influenza sweeps across America, devastating the population and rendering those left behind paranoid and weary. Grieving for her childhood beau Stephen, who died while fighting overseas with the Army, Mary goes outside during a thunderstorm and is struck dead by lightning—for a few minutes. When Mary comes to, she discovers she can communicate with the dead, including Stephen. Winters’s masterful debut novel is an impressively researched marriage of the tragedies of wartime, the 1918 flu epidemic, the contemporaneous Spiritualism craze, and a chilling love story and mystery. Unsettling b&w period photographs appear throughout, à la Ransom Riggs’s Miss Peregrine’s Home for Peculiar Children, greatly adding to the novel’s deliciously creepy atmosphere. Ages 12–up.

Excellent!  Read it in two days....OK for middle school

All the Truth That's in Me

From Publisher's Weekly...
2014 Edgar Young Adult nominee

This melancholy tale of a village outcast unfolds through the thoughts of Judith, who was kidnapped, held prisoner, and maimed by her captor. Two years later, she has returned home at age 18, but because of her severed tongue, she cannot explain her misfortunes or the crime she witnessed the night she was taken. Most of the townspeople shun her, and even her own mother acts ashamed. In some ways, Judith’s silence protects her, but hiding the truth puts her and others at risk. Encouraged by an old friend, Judith is inspired to try to regain some speech. If she can find the means and courage to communicate what she knows, she and other innocent victims might find a form of salvation. Written as Judith’s internal monologue directed toward Lucas, the boy she loves, Berry’s (The Amaranth Enchantment) novel is suspenseful and haunting. Her poetic narrative (“There’s nothing so bright as the stream by day, nothing so black on a moonless night”) will draw readers in, and the gradual unveiling of secrets will keep them absorbed. Ages 12–up.

Excellent!  Very powerful and moving.  Probably ok for middle school...some mature content, but nothing explicit.  

Dr. Bird's Advice for Sad Poets

From Publisher's Weekly…
2014 Morris Award Finalist…

This sensitive first novel portrays the struggle of 16-year-old James Whit-man to overcome anxiety and depression. James blames himself for his older sister’s expulsion from their home and estrangement from their bullying parents. Roskos effectively sketches James as a boy who is far more comfortable inside his own head than in connecting with others (case in point, he hugs trees to make himself feel better and seeks advice from Dr. Bird, an imaginary pigeon therapist). Throughout, James takes comfort in the poetry of Walt Whitman, often co-opting the writer’s literary techniques in his narration (“I sound my morning yawp! I blast out my inner glow at the sunshine to try to shout it down. To have it lift me up. For someone, somewhere, to see me”). Friendships old and new, along with James’s growing interest in his own poetry and photography, help him gain confidence and understanding, especially as he discovers unsettling secrets about his sister. Bravely facing real sorrow, James confronts his problems with grace and courage. Ages 14–up

Good..not really appropriate for middle school.  

Navigating Early

From Publisher's Weekly...
2014 Printz Honor


“You have to look for the things that connect us all. Find the ways our paths cross, our lives intersect, and our hearts collide,” Jack’s mother told him before she died. Her words will come to have special meaning for readers spellbound by this atmospheric novel set at the end of WWII from Newbery Medalist Vanderpool (Moon over Manifest). After his mother is buried, 13-year-old Jack—a clear-eyed narrator with a great sense of humor, despite his recent heartbreak—is sent to a Maine boarding school, where he meets an eccentric student named Early Auden, who might today be labeled autistic. Early is obsessed with the number pi and believes that Pi is a boy on an epic journey, and in danger. Jack agrees to accompany Early on his quest to rescue Pi, and as the boys head into the wilderness, their adventures have an eerie resemblance to Early’s stories about Pi, as do Jack and Early’s own sad histories. This multilayered, intricately plotted story has a kaleidoscopic effect, blurring the lines between reality and imagination, coincidence and fate. Ages 9–12. Agent: Andrea Cascardi, Transatlantic Literary Agency. (Jan.)

Excellent!

Maggot Moon

From Publisher's Weekly….
2014 Printz Honor

Just when it seems that there’s nothing new under the dystopian sun, Gardner (The Red Necklace) produces an original and unforgettable novel about a boy in a totalitarian society who risks everything in the name of friendship. Standish Treadwell narrates in short, fast-paced chapters, illustrated by theatrical designer/director Crouch with flipbook-style images of rats, flies, and maggots: creatures that represent the oppressive forces at work in the Motherland, a brutish government intent on being first to the moon, at whatever cost to its citizens. Fifteen-year-old Standish is dyslexic (as is the author), making him a target of bullies, which is the least of his problems. He lives with his resourceful grandfather in Zone Seven, but the Motherland has taken away his parents, as well as his best friend, Hector. The loss of his parents has created a hole Standish cannot fill; the disappearance of Hector leaves Standish unprotected at school and bereft of a friend who saw past Standish’s disability to recognize his intelligence. “I believe the best thing we have is our imagination,” Standish recalls Hector telling him, “and you have that in bucketloads.” Though Standish’s grandfather keeps the boy purposefully in the dark about many things, Standish figures out one of the government’s big secrets on his own, and he concocts a brave and personally risky plan to reveal it. Parts of the story are very hard to read—early on, a classmate is beaten to death by a teacher in the schoolyard—but the violence asks readers to consider what the world would be like if certain events in history had turned out differently. Gardner does a masterful job of portraying Standish’s dyslexia through the linguistic swerves of his narration, and although the ending is pure heartbreak, she leaves readers with a hopeful message about the power of one boy to stand up to evil. Ages 12–up. Agent: Catherine Clarke, Felicity Bryan Associates. (Feb.)

Very powerful and engaging book…difficult to read in party.  Is it appropriate for middle school?  Profanity and graphic violence.