The Indian in the Cupboard

From Amazon.com....

Amazon.com Review

What could be better than a magic cupboard that turns small toys into living creatures? Omri's big brother has no birthday present for him, so he gives Omri an old medicine cabinet he's found. Although their mother supplies a key, the cabinet still doesn't seem like much of a present. But when an exhausted Omri dumps a plastic toy Indian into the cabinet just before falling asleep, the magic begins. Turn the key once and the toy comes alive; turn it a second time and it's an action figure again.

The Indian in the Cupboard is one of those rare books that is equally appealing to children and adults. The story of Omri and the Indian, Little Bear, is replete with subtle reminders of the responsibilities that accompany friendship and love. For kids, it's a great yarn; for most parents, it's also a reminder that Omri's wrenching decision to send his toy back to its own world is not so different from the recognition of their children's emerging independence.

Really didn't like this...I didn't like how Little Bear spoke pigeon English....

Liar and Spy

From Publisher's Weekly.....

Seventh grade is not going well for Georges, the only child of an out-of-work Brooklyn architect and a nurse who named him after her favorite painter, pointillist Georges Seurat. Although Georges's mother has taken on double shifts to bring in extra income, the family has had to sell their house and move into an apartment. At school, former best friend Jason, who has started dressing like the skateboarder he isn't, now stands idly by while bullies harass Georges. Newbery Medalist Stead (When You Reach Me) expertly balances 
Georges's blue period with the introduction of the new neighbors: amateur spy Safer, and his younger sister, Candy, whose parents (in one of many hilarious details) let the kids name themselves. As homeschooled siblings, they offer refreshing perspectives on the ridiculousness of what goes on at Georges's school, including a forthcoming science unit on taste buds that the kids believe forecasts one's destiny. Safer recruits Georges to investigate and observe—using the lobbycam to track a mysterious tenant and binoculars to monitor a nest of wild green parrots—but the biggest secrets are the ones these two sensitive boys have buried in their hearts. Stead has a talent for introducing curriculum-ready topics in the most accessible ways imaginable, e.g., Seurat's painting methods become a persuasive metaphor for what Georges is going through and how he can survive it. Chock-full of fascinating characters and intelligent questions, this is as close to perfect as middle-grade novels come. Ages 9–12. 

Excellent!  A little young for middle school.

Wonder

From Publisher's Weekly....

Auggie Pullman was born with severe facial deformities—no outer ears, eyes in the wrong place, his skin "melted"—and he's learned to steel himself against the horrified reactions he produces in strangers. Now, after years of homeschooling, his parents have enrolled him in fifth grade. In short chapters told from various first-person perspectives, debut author Palacio sketches his challenging but triumphant year. Though he has some expectedly horrible experiences at school, Auggie has lucked out with the adults in his life—his parents love him unconditionally, and his principal and teachers value kindness over all other qualities. While one bully manages, temporarily, to turn most of Auggie's classmates against him (Auggie likens this to becoming the human equivalent of "the Cheese Touch," a clever Diary of a Wimpy Kid reference), good wins out. Few first novels pack more of a punch: it's a rare story with the power to open eyes—and hearts—to what it's like to be singled out for a difference you can't control, when all you want is to be just another face in the crowd. Ages 8–12. 

Very good although a little sappy at the end...young..best for 6th graders.  

The Fault in Our Stars

From Publisher's Weekly….

If there's a knock on John Green (and it's more of a light tap considering he's been recognized twice by the Printz committee) it's that he keeps writing the same book: nerdy guy in unrequited love with impossibly gorgeous girl, add road trip. His fourth novel departs from that successful formula to even greater success: this is his best work yet. Narrator Hazel Grace Lancaster, 16, is (miraculously) alive thanks to an experimental drug that is keeping her thyroid cancer in check. In an effort to get her to have a life (she withdrew from school at 13), her parents insist she attend a support group at a local church, which Hazel characterizes in an older-than-her-years voice as a "rotating cast of characters in various states of tumor-driven unwellness." Despite Hazel's reluctant presence, it's at the support group that she meets Augustus Waters, a former basketball player who has lost a leg to cancer. The connection is instant, and a (doomed) romance blossoms. There is a road trip—Augustus, whose greatest fear is not of death but that his life won't amount to anything, uses his "Genie Foundation" wish to take Hazel to Amsterdam to meet the author of her favorite book. Come to think of it, Augustus is pretty damn hot. So maybe there's not a new formula at work so much as a gender swap. But this iteration is smart, witty, profoundly sad, and full of questions worth asking, even those like "Why me?" that have no answer. Ages 14–up. Agent: Jodi Reamer, Writers House. 

Very good!  Appropriate for middle school?  One scene that's not, but it's the most asked for book in the LBJ library.