If I Stay

From Publisher's Weekly…

The last normal moment that Mia, a talented cellist, can remember is being in the car with her family. Then she is standing outside her body beside their mangled Buick and her parents’ corpses, watching herself and her little brother being tended by paramedics. As she ponders her state (“Am I dead? I actually have to ask myself this”), Mia is whisked away to a hospital, where, her body in a coma, she reflects on the past and tries to decide whether to fight to live. Via Mia’s thoughts and flashbacks, Forman (Sisters in Sanity ) expertly explores the teenager’s life, her passion for classical music and her strong relationships with her family, friends and boyfriend, Adam. Mia’s singular perspective (which will recall Alice Sebold’s adult novel, The Lovely Bones ) also allows for powerful portraits of her friends and family as they cope: “Please don’t die. If you die, there’s going to be one of those cheesy Princess Diana memorials at school,” prays Mia’s friend Kim. “I know you’d hate that kind of thing.” Intensely moving, the novel will force readers to take stock of their lives and the people and things that make them worth living. Ages 14–up. (Apr.)

Good…Interesting concept…ok for middle school

Revolver

From Publisher's Weekly…
2011 Printz Honor

Set in 1910, 100 miles north of the Arctic Circle in the Scandinavian town of Giron, this intense survival story is propelled by a relentless sense of danger and bone-chilling cold. Einar, teenage Sig's father, has died after a fall through the ice. But the harsh environment pales in comparison with the ruthless stranger, Gunther Wolff, who demands from Sig and his sister the gold their father allegedly stole from him a decade earlier in the Alaska Gold Rush. Sedgwick (My Swordhand Is Singing ) reveals the truth in riveting, gemlike scenes that juggle time periods, points of view, and the family's divided worldview, epitomized by Einar's Colt revolver. “Guns are evil. Evil, Einar,” says Sig's pacifist mother, while the more pragmatic Einar believes his Colt is “the most beautiful thing in the world.” In the end, the gun plays a pivotal role as Sig must shape his own view and act accordingly. Gracefully weaving in sources as diverse as the Old Testament story of Job and an 1896 ad for the revolver, Sedgwick lures his readers into deeper thinking while they savor this thrillingly told tale. Ages 12–up.(Apr.)

Excellent…good for middle school

A Most Wanted Man

From Publisher's Weekly…

When boxer Melik Oktay and his mother, both Turkish Muslims living in Hamburg, take in a street person calling himself Issa at the start of this morally complex thriller from le Carré (The Mission Song), they set off a chain of events implicating intelligence agencies from three countries. Issa, who claims to be a Muslim medical student, is, in fact, a wanted terrorist and the son of Grigori Karpov, a Red Army colonel whose considerable assets are concealed in a mysterious portfolio at a Hamburg bank. Tommy Brue, a stereotypical flawed everyman caught up in the machinations of spies and counterspies, enters the plot when Issa’s attorney seeks to claim these assets. The book works best in its depiction of the rivalries besetting even post-9/11 intelligence agencies that should be allies, but none of the characters is as memorable as George Smiley or Magnus Pym. Still, even a lesser le Carré effort is far above the common run of thrillers. (Oct.)

For once I am glad I saw the movie first!  

The False Prince

From Publisher's Weekly....

This highly enjoyable medieval fantasy from Nielsen (the Underworld Chronicles), set in the medieval kingdom of Carthya, centers on 15-year-old Sage, an angry and pugnacious orphan, who is unexpectedly purchased by Conner, one of the king’s regents. The entire royal family—king, queen, and heir—has recently died under mysterious circumstances, and to prevent civil war, Conner is collecting orphans who might believably be substituted for the dead king’s younger son, who was reported lost at sea years earlier. Sage is soon engaged in a deadly, winner-take-all contest with two other boys to earn the right to impersonate Prince Jaron. Sage is deftly characterized through humorous first-person narration, quickly establishing himself as a beguiling antihero: “I’d never attempted roast thievery before, and I was already regretting it,” he says when readers first meet him. “It happens to be very difficult to hold a chunk of raw meat while running.” Secondary characters are equally fleshed-out. First in the Ascendancy Trilogy, this is an impressive, promising story with some expertly executed twists. Ages 8–14.

The ending is the best part.  Good for middle school.