Poop Fountain

From School Library Journal (on Amazon.com)

Gr 4–6—Originally published as The Quickpick Adventure Society by Sam Riddleburger (Dial, 2007), this updated version expands upon the scrapbook feel, with pages designed to look like snapshot photos have been taped in, paperclipped looseleaf papers added, and graphic novel–style panels inserted. The outing to the Amazing Poop Fountain at the Crickenburg Wastewater Treatment Plant has never looked so appealing. Laugh-out-loud hijinks tailormade for reluctant readers. A hilarious and well-designed update. --

Adorable and funny!

The River

From Publisher's Weekly…

Nearly two years after being marooned in the wilderness--the experience recounted in Hatchet --Brian agrees to go back, accompanied by Derek, a psychologist who wants to study the strategies and especially the mental toughness that brought Brian through. At first he chafes at the relative comforts, the lack of true challenge, this second time around. All that changes when Derek is struck by lightning and falls into a coma--Brian must raft Derek to the nearest outpost, 100 miles downriver. In attempting this sequel Paulsen has set himself a difficult task, which he meets superbly. The new adventure is as riveting as its predecessor and yet, because of significant differences in the nature of its dramatic tension, is not merely a clone. The experiences of Hatchet , distilled by time, inform Brian's character throughout, so that the psychological terrain of the sequel is fresh and distinct. The older Brian is more reflective and accepting, and these qualities add new dimensions to his interactions with nature. And returning to the north effects a subtle but startling change: instantly, almost unconsciously, Brian finds himself absorbing every detail of the scene around him--taking the scent of the wind, reading the shape of each cloud--and in the process turning inward, finding words superfluous in the face of the wild. There is no dearth of action and physical suspense here, rendered in terse, heart-stopping prose. Paulsen, as always, pulls no punches: a scene in which Brian fantasizes about cutting Derek loose from the raft is as powerful as they come. Ages 12-up. 

Good, although Hatchet is still my favorite.

The Amazing Life of Birds

From Publisher's Weekly…. 

Paulsen's perceptive, funny look at the life of 12-year-old Duane is at once indisputably real and drolly exaggerated. The author gets the beleaguered boy's voice just right as Duane bares all in his journal, admitting, "Lately I've been thinking a lot about the female body. Not in a weird or sick way but not in an artistic or medical way either." When these images pop into his mind, he forces himself to instead envision "elbows ," a tactic that "helps. Sometimes." As he identifies with a baby bird going through its life changes in a nest outside his window, Duane bemoans his zits ("my face looks like I tried to kiss a rotary mower"), cracking voice ("It sounded like somebody hit a bullfrog with a big hammer right in the middle of a croak") and persistent cowlick (which he likens to "that bushy little tail you see on the back of a warthog inNational Geographic "). At school, calamities abound: "a river of stupid" pours from his mouth when a new girl says hello to him (he later smacks her in the head with a volleyball in gym) and after creating a bald spot on his head while trying to cut his cowlick, he is suspected of having—and spreading—ringworm. Though readers aren't likely to encounter all of the humiliations Duane endures, they will identify strongly with his insecurities. After he clumsily causes bookcases and a fish tank to topple in the library, the boy sardonically says, "You gotta love my life." For all the reasons Duane doesn't, readers will. Ages 10-up.

Cute!  

Brian's Winter

From Publisher's Weekly…

First there was Hatchet, Paulsen's classic tale of a boy's survival in the north woods after a plane crash. Then came a sequel, The River, and, last year, Father Water, Mother Woods, a collection of autobiographical essays introduced as the nonfiction counterpart to Hatchet. Now Paulsen backs up and asks readers to imagine that Brian, the hero, hadn't been rescued after all. His many fans will be only too glad to comply, revisiting Brian at the onset of a punishing Canadian winter. The pace never relents-the story begins, as it were, in the middle, with Brian already toughened up and his reflexes primed for crisis. Paulsen serves up one cliffhanger after another (a marauding bear, a charging elk), and always there are the supreme challenges of obtaining food and protection against the cold. Authoritative narration makes it easy for readers to join Brian vicariously as he wields his hatchet to whittle arrows and arrowheads and a lance, hunts game, and devises clothes out of animal skins; while teasers at the ends of chapters keep the tension high (``He would hunt big tomorrow, he thought.... But as it happened he very nearly never hunted again''). The moral of the story: it pays to write your favorite author and ask for another helping. Ages 12-up. (Feb.)

Very good, but I found it a little unbelievable that he would be able to kill a moose…this made things very easy for Brian!

Hatchet

From School Library Journal

1988 Newbery Honor 

Grade 8-12 Brian Robeson, 13, is the only passenger on a small plane flying him to visit his father in the Canadian wilderness when the pilot has a heart attack and dies. The plane drifts off course and finally crashes into a small lake. Miraculously Brian is able to swim free of the plane, arriving on a sandy tree-lined shore with only his clothing, a tattered windbreaker, and the hatchet his mother had given him as a present. The novel chronicles in gritty detail Brian's mistakes, setbacks, and small triumphs as, with the help of the hatchet, he manages to survive the 54 days alone in the wilderness. Paulsen effectively shows readers how Brian learns patienceto watch, listen, and think before he actsas he attempts to build a fire, to fish and hunt, and to make his home under a rock overhang safe and comfortable. An epilogue discussing the lasting effects of Brian's stay in the wilderness and his dim chance of survival had winter come upon him before rescue adds credibility to the story. Paulsen tells a fine adventure story, but the sub-plot concerning Brian's preoccupation with his parents' divorce seems a bit forced and detracts from the book. As he did in Dogsong (Bradbury, 1985), Paulsen emphasizes character growth through a careful balancing of specific details of survival with the protagonist's thoughts and emotions. Barbara Chatton, College of Education, University of Wyoming, Laramie

Excellent!  A popular book here at LBJ MS.  I disagree that the divorce detracts from the story.  

Tricky Twenty Two

From Barnes and Noble…

Overview

Stephanie Plum faces her toughest case yet, as the blockbuster series from #1 New York Timesbestselling author Janet Evanovich continues, in Tricky Twenty-Two!

Inside the Barnes & Noble Exclusive Edition, you'll find a guide to the strange sayings and favorite hangouts that can be found in the world of Stephanie Plum.

Something big is brewing in Trenton, N.J., and it could blow at any minute.
 
Stephanie Plum might not be the world’s greatest bounty hunter, but she knows when she’s being played. Ken Globovic (aka Gobbles), hailed as the Supreme Exalted Zookeeper of the animal house known as Zeta fraternity, has been arrested for beating up the dean of students at Kiltman College. Gobbles has missed his court date and gone into hiding. People have seen him on campus, but no one will talk. Things just aren’t adding up, and Stephanie can’t shake the feeling that something funny is going on at the college—and it’s not just Zeta fraternity pranks.
 
As much as people love Gobbles, they hate Doug Linken. When Linken is gunned down in his backyard it’s good riddance, and the list of possible murder suspects is long. The only people who care about finding Linken’s killer are Trenton cop Joe Morelli, who has been assigned the case, security expert Ranger, who was hired to protect Linken, and Stephanie, who has her eye on a cash prize and hopefully has some tricks up her sleeve.

Not too bad considering it's #22…but really, just end it!

Everything I Never Told You

From Publisher's Weekly..

This emotionally involving debut novel explores themes of belonging using the story of the death of a teenage girl, Lydia, from a mixed-race family in 1970s Ohio. Lydia is the middle and favorite child of Marilyn Walker, a white Virginian, and James Lee, a first-generation Chinese-American. Marilyn and James meet in 1957, when she is a premed at Radcliffe and he, a graduate student, is teaching one of her classes. The two fall in love and marry, over the objections of Marilyn’s mother, whose comment on their interracial relationship is succinct: “It’s not right.” Marilyn gets pregnant and gives up her dream of becoming a doctor, devoting her life instead to raising Lydia and the couple’s other two children, Nathan and Hannah. Then Marilyn abruptly moves out of their suburban Ohio home to go back to school, only to return before long. When Lydia is discovered dead in a nearby lake, the family begins to fall apart. As the police try to decipher the mystery of Lydia’s death, her family realize that they didn’t know her at all. Lydia is remarkably imagined, her unhappy teenage life crafted without an ounce of cliché. Ng’s prose is precise and sensitive, her characters richly drawn.Agent: Julie Barer, Barer Literary. (July)

Excellent!

Lock & Mori

From Publisher's Weekly…

Petty debuts with a suspenseful, sure-footed mystery, set in present-day London and starring a teenage Holmes and Moriarty. The narrator, James "Mori" Moriarty, meets the absent-minded, egotistical, and truth-obsessed "Lock" at school. They are both curious, analytical observers, so when they learn of a bizarre murder, in which a man is found stabbed with his hands in his pockets, they decide to investigate. The teens are both unmoored: Lock's mother is ill, and Mori's father has been abusing Mori and her brothers ever since their mother died six months ago. Lock and Mori initially promise to keep no secrets from each other, but when Mori suspects her mother may have been involved with this and other murders, she withholds information, putting both teens in harm's way. The chemistry between the protagonists is at the heart of the story, and their sparring relationship predictably, but enjoyably, develops into romance. While some readers may guess the killer's identity early on, this is still a quick-moving mystery distinguished by clear writing, memorable imagery, and some keen insights into human fragility. Ages 14–up. 

I thought this was just ok, a little mature for middle school.  

Lucy Long Ago

From School Library Journal

Starred Review. Grade 5-10–The Beatles song Lucy in the Sky with Diamonds was playing the night paleoanthropologist Donald Johnson found the first fossilized remains of the hominid that became known around the world as Lucy. This extraordinary discovery changed how scientists understood one of the basic concepts of human evolution–it proved that our ancestors began walking upright before the size of their brains increased. Thimmesh uses this discovery to explore several topics in the fields of anthropology and evolutional biology, such as how the bones were fossilized, the process for deciding that Lucy belonged to a previously unknown species (Australopithecus afarensis), and the cast-making process that allowed biological anthropologist Owen Lovejoy to reconstruct her pelvis and prove that she was bipedal. The author even touches upon what fossils can't teach us about our ancestors–their emotions and family patterns. The final chapter discusses the process used by paleoartist John Gurche to create a life-size sculpture of Lucy. The book's greatest strength is how it underscores the fluidity of our understanding in a field like anthropology; it shows how one discovery can change the thinking of scientists in a dramatic way. This book also emphasizes the rigor of the sciences that study our human ancestors and explains clearly how these scientists carefully take the known to formulate new ideas about the unknown parts of our human history. The clear writing, excellent photographs, and the unique approach of exploring the field of anthropology through one spectacular specimen make this book a first purchase.–Caroline Tesauro, Radford Public Library, VA 

Excellent!

Scaly Spotted Feathered Frilled

From GoodReads..

No human being has ever seen a triceratops or velociraptor or even the mighty Tyrannosaurus rex. They left behind only their impressive bones. So how can scientists know what color dinosaurs were? Or if their flesh was scaly or feathered? Could that fierce T.rex have been born with spots? In a first for young readers, the Sibert medalist Catherine Thimmesh introduces the incredible talents of the paleoartist, whose work reanimates gone-but-never-forgotten dinosaurs in giant full-color paintings that are as strikingly beautiful as they aim to be scientifically accurate, down to the smallest detail. Follow a paleoartist through the scientific process of ascertaining the appearance of various dinosaurs from millions of years ago to learn how science, art, and imagination combine to bring us face-to-face with the past.

A book from the LBJ library that I added to the collection.  Very interesting! 

The Seventh Most Important Thing

From School Library Journa…

Gr 4–7—A middle school student learns the meaning of redemption in this excellent coming-of-age story. For the rest of the country, it was the year President Kennedy was assassinated. For Arthur Owens, it would always be the year his Dad died. Arthur is struggling to adapt. When he sees his Dad's hat being worn by the neighborhood "Junk Man," it is just too much. Arthur isn't a bad kid, but he picks up that brick and throws it just the same. The judge pronounces a "highly unconventional sentence." At the behest of the victim James Hampton, the "Junk Man," Arthur must spend every weekend of his community service helping to complete Hampton's artistic masterpiece. Inspired by real life artist James Hampton's life and work, "The Throne of the Third Heaven of the Nations' Millennium General Assembly," the plot avoids overt religious tones and sticks with the exploration of friendship, love, and life's most important lessons. From the "Junk Man's" neighbor, Groovy Jim, to no-nonsense Probation Officer Billie to Arthur's new best pal Squeak, and even his family, Pearsall has struck just the right tone by imbuing her well-rounded, interesting characters with authentic voices and pacing the action perfectly. Give this to fans of Wendy Mass's Jeremy Fink and the Meaning of Life (Little, Brown, 2006) and Gennifer Choldenko's Al Capone Does My Shirts (Penguin, 2004). Reluctant readers may be intimidated by the page count, but a booktalk or read-aloud with this title should change their minds. VERDICT A recommended purchase for all libraries.—Cindy Wall, Southington Library & Museum, CT

Excellent! 

Line of Fire

From Publisher's Weekly…
2015-2016 NM Middle School Battle of the Books

The hundred-year-old diary that forms the text of this work was found by French author-illustrator Barroux on a Paris sidewalk in a heap of trash. In entries rendered smoothly into English by Ardizzone, the anonymous author tells of his first months as an infantryman in WWI. Barroux (Mr. Leon’s Paris) quarters the pages, providing rough, black charcoal drawings for each sentence or two of text. He conveys the monotony and dread of the soldier’s life: the endless digging of trenches, the sight of wounded soldiers and fleeing families, the way dark and rain make everything worse. Only the clunky triangular noses and gentle features Barroux gives his human faces soften the grimness. Before long the narrator is wounded, and he describes his stay in the hospital, surrounded by suffering (“while a gunner who had been begging to die since the morning breathes his last”). The diary finishes abruptly: “Sometimes I’m sorry I didn’t stay in the line of fire.” The documentary-style pacing makes this account best suited to those with an established interest in accounts of military life, but it remains a remarkable artifact, given haunting new life. Ages 10–13. (July)■

Hate That Cat

From School Library Journal

Sharon Creech's free-verse novel (2008) continues the story of Jack, first introduced in Love That Dog (2001, both HarperCollins/Joanna Cotler Books). Jack is delighted that his teacher from the previous year, Miss Stretchberry, has also moved up a grade. For the second year in a row, Jack is encouraged to express his thoughts and feelings through a poetry journal. Miss Stretchberry introduces her class to the works of a variety of poets, and also introduces Jack to a kitten who captures his hear. As Jack explores rhythm and sound, he also wonders how poetry is experienced by those who cannot hear, such as his mother, who communicates her appreciation of Jack's poetry through sign language. The novel's combination of formats-journal and verse-is well narrated by Scott Wolf whose youthful diction captures the spirit of Jack's exuberant blank verse; his use of pauses and emphasis hints at the structure of the words on the page. The recording includes an appendix of some of the poems used in the class. This story will be enjoyed by reluctant readers for the accessible story line, and applauded by teachers for the embedded lessons in writing and poetry appreciation.-Misti Tidman, Boyd County Public Library, Ashland, KY

Adorable!  

The Deadly Sister

From Amazon.com

From the author of The School for Dangerous Girls, a suspenseful stunner about loyalty, sibling rivalry, and murder.

Abby Goodwin is sure her sister Maya isn't a murderer. But her parents don't agree. Her friends don't agree. And the cops definitely don't agree. Maya is a drop-out, a stoner, a girl who's obsessed with her tutor, Jefferson Andrews...until he ends up dead. Maya runs away, and leaves Abby following the trail of clues. Each piece of evidence points to Maya, but it also appears that Jefferson had secrets of his own. And enemies. Like his brother, who Abby becomes involved with...until he falls under suspicion.
Is Abby getting closer to finding the true murderer? Or is someone leading her down a twisted false path?

Good, interesting twist at the end!

Smile

From Publisher's Weekly…
2011 Eisner Award

A charming addition to the body of young adult literature that focuses on the trials and tribulations of the slightly nerdy girl. Telgemeier's autobiographical tale follows her from sixth grade, when her two front teeth are knocked out during a fluke accident, through high school, when, her teeth repaired, she bids good-bye to her childhood dentist. Like heroines stretching from Madeleine L'Engle's Vicky Austin through Judy Blume's Margaret to Mariko and Jillian Tamaki's Skim, Raina must navigate the confusing world of adolescence while keeping her sense of self intact. Many of her experiences are familiar, from unrequited crushes to betrayals by friends to embarrassing fashion choices. The dramatic story of her teeth, however, adds a fresh twist, as does her family's experience during the San Francisco earthquake in 1989. Although the ending is slightly pedantic, Telgemeier thoughtfully depicts her simultaneous feelings of exasperation and love toward her parents, as well as her joy at developing her artistic talent—she's deft at illustrating her characters' emotions in a dynamic, playful style. This book should appeal to tweens looking for a story that reflects their fears and experiences and gives them hope that things get easier. Ages 9–13.

Adorable!  And I loved that I could relate to her experiences with her teeth!

This One Summer

From Publisher's Weekly…
2015 Printz Honor
2015 Caldecott Honor

Rose and Windy, friends for two weeks every summer in nearby Ontario lake cottages, have hit early adolescence. Rose, a bit older, has knowledge and polish that tubby, still-childish Windy lacks, and Windy sometimes bores her. Yet Windy’s instincts are often sound, while Rose is led astray by an infatuation with a local convenience store clerk. As Rose’s parents’ marriage founders and the taunts of local teens wake her to issues of social class, Rose veers between secret grief and fleeting pleasure in the rituals of summer. Jillian Tamaki’s exceptionally graceful line is one of the strengths of this work from the cousin duo behind Skim. Printed entirely in somber blue ink, the illustrations powerfully evoke the densely wooded beach town setting and the emotional freight carried by characters at critical moments, including several confronting their womanhood in different and painful ways. Fine characterization and sensitive prose distinguish the story, too—as when Rose remembers the wisdom a swimming teacher shared about holding his breath for minutes at a time: “He told me the secret was he would tell himself that he was actually breathing.” Ages 12–up. 

Although beautifully illustrated, I found the story line hard to follow as graphic novels are not my favorite.   A lot of swearing, including the F word, so not really appropriate for middle school.  

El Deafo

From Publisher's Weekly…
2015 Newbery Honor

A bout of childhood meningitis left Bell (Rabbit & Robot: The Sleepover) deaf at age four, and she was prescribed a Phonic Ear, with a receiver draped across her chest and a remote microphone her teachers wore. Her graphic memoir records both the indignities of being a deaf child in a hearing community (“IS. THAT. AAAY. HEAR-ING. AAAID?”) and its joys, as when she discovers that the microphone picks up every word her teacher says anywhere in the school. Bell’s earnest rabbit/human characters, her ability to capture her own sonic universe (“eh sounz lah yur unnah wawah!”), and her invention of an alter ego—the cape-wearing El Deafo, who gets her through stressful encounters (“How can El Deafo free herself from the shackles of this weekly humiliation?” she asks as her mother drags her to another excruciating sign language class)—all combine to make this a standout autobiography. Cece’s predilection for bursting into tears at the wrong time belies a gift for resilience that makes her someone readers will enjoy getting to know. Ages 8–12

Young for ms, but absolutely adorable! 

The 5th Wave

From Publisher's Weekly…

Yancey makes a dramatic 180 from the intellectual horror of his Monstrumologist books to open a gripping SF trilogy about an Earth decimated by an alien invasion. The author fully embraces the genre, while resisting its more sensational tendencies (rest assured, though, there are firefights and explosions aplenty). A rare survivor of the invasion, 16-year-old Cassie, armed with an M16 rifle and her younger brother’s teddy bear, is trying to reunite with her brother and escape the “Silencer” (assassin) trying to kill her. Meanwhile, 17-year-old “Zombie,” an unwitting military recruit, is facing a crisis of conscience. The story’s biggest twists aren’t really surprises; the hints are there for readers to see. Yancey is more interested in examining how these world-shaking revelations affect characters who barely recognize what their lives have become. As in the Monstrumologist series, the question of what it means to be human is at the forefront—in the words of cartoonist Walt Kelly, “We have met the enemy and he is us.” It’s a book that targets a broad commercial audience, and Yancey’s aim is every bit as good as Cassie’s. Ages 14–up. 

Pretty good but the time line is a little confusing.  

Flowers for Algernon

From Amazon.com…

This is a wonderful and highly original novel about a mentally challenged man named Charlie who wanted to be smart. One day, his wish was granted. A group of scientists selected him for an experimental operation that raised his intelligence to genius level. Suddenly, Charlie found himself transformed, and life, as he knew it, changed.

His story is told entirely through Charlie's eyes and perceptions in the form of progress reports. The reader actually sees the change in Charlie take place, as his progress reports become more complex, well written, and filled with the angst of personal discovery and growth, as well as with his gradual awareness of his amazing and accelerated intellectual development.

The progress reports are a wonderful contrivance for facilitating the story, and the reader is one with Charlie on his voyage of self-discovery. What happens to Charlie in the long run is profoundly moving and thought provoking. It is no wonder that this author was the recipient of the Nebula Award, which is given by the Science Fiction Writers of America for having written the Best Novel of the Year. This is definitely a book well worth reading.

Excellent!  I really enjoyed this which is a little surprising considering how long ago it was written.  

Station Eleven

From Publisher's Weekly...
2014 National Book Award Finalist

Few themes are as played-out as that of post-apocalypse, but St. John Mandel (The Lola Quartet) finds a unique point of departure from which to examine civilization’s wreckage, beginning with a performance of King Lear cut short by the onstage death of its lead, Arthur Leander, from an apparent heart attack. On hand are an aspiring paramedic, Jeevan Chaudary, and a young actress, Kirsten Raymonde; Leander’s is only the first death they will witness, as a pandemic, the so-called Georgia Flu, quickly wipes out all but a few pockets of civilization. Twenty years later, Kirsten, now a member of a musical theater troupe, travels through a wasteland inhabited by a dangerous prophet and his followers. Guided only by the graphic novel called Station Eleven given to her by Leander before his death, she sets off on an arduous journey toward the Museum of Civilization, which is housed in a disused airport terminal. Kirsten is not the only survivor with a curious link to the actor: the story explores Jeevan’s past as an entertainment journalist and, in a series of flashbacks, his role in Leander’s decline. Also joining the cast are Leander’s first wife, Miranda, who is the artist behind Station Eleven, and his best friend, 70-year-old Clark Thompson, who tends to the terminal settlement Kirsten is seeking. With its wild fusion of celebrity gossip and grim future, this book shouldn’t work nearly so well, but St. John Mandel’s examination of the connections between individuals with disparate destinies makes a case for the worth of even a single life. (Sept.)

Excellent!  I love the connections between the characters and the dystopian setting.  

Fractured

From Kirkus...

Those intrigued by Terry’s first book about Kyla (Slated, 2012) will find themselves swimming in a morass of her memories in this second.

Kyla’s past lives as Lucy and Rain are indistinct and muddled. While Kyla has escaped the worst effects of being Slated (the wiping of her previous life and memories), her personality has definitely been fractured, as the title indicates. Readers are left to puzzle out what actually happened and why. The family she is placed with has direct ties to a martyred prime minister, and her personal doctor is the one who invented the Slating process. Coincidence? Irritatingly vague events and dream sequences abound and seem to have import, but the threads fail to cohere. Readers familiar with the first book will find seeming inconsistencies (Kyla’s visceral reaction to blood late in the book contrasts with a not-so-visceral one in an early scene) confusing, and they will wonder how and why the other characters seem to change personalities as quickly as Kyla does. In this shifting moral environment, there is so little to trust that the authorial manipulation of events becomes all too evident.

Readers who decide to go with the flow will reach a violent and surprising payoff, but it will take dedication to get there. (Dystopian romance. 12 & up)

This was just ok, and I agree with the review.

The Princess Bride

From Amazon...

Anyone who lived through the 1980s may find it impossible—inconceivable, even—to equate The Princess Bride with anything other than the sweet, celluloid romance of Westley and Buttercup, but the film is only a fraction of the ingenious storytelling you'll find in these pages. Rich in character and satire, the novel is set in 1941 and framed cleverly as an “abridged” retelling of a centuries-old tale set in the fabled country of Florin that's home to “Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest men. Chases. Escapes. Lies. Truths. Passions.”

I hadn't read this before and I really enjoyed it....

The Miniaturist

From Publisher's Weekly...

Late 17th-century Amsterdam is the sumptuous backdrop for this debut novel about a young Dutch girl from the village of Assendelft, Nella Oortman, who is chosen to be the bride of Johannes Brandt, a wealthy merchant with a shocking secret. Not long after Nella’s arrival in the city, her enigmatic husband presents her with a beautifully wrought cabinet, an exact replica of the house in which they live with Brandt’s sister, Marin, and their loyal servants. Nella engages a miniaturist to fill it and begins to encounter mysteries no one is willing to explain, secrets in which everyone in the household is implicated. The elusive miniaturist, too, seems to know more than Nella, as reflected in the tiny dolls and furniture he creates for the cabinet. The artisan may even be able to predict the future: he sends Nella portentous objects she has not commissioned, such as a cradle and a perfect replica of Brandt’s beloved dog stained with blood. As in all good historical novels, the setting is a major character; in this case the city of Amsterdam, with its waterways and warehouses, confectioners’ shops, and kitchens, teems with period detail. Myriad plot twists involve Brandt’s commercial activities, especially the stores of precious sugar cones from Surinam, and the tragic, fatal consequences of illicit love affairs. Strangely enough, however, the central mystery, the miniaturist’s uncanny knowledge of the future, is never solved, and the reader is left unsatisfied. (Aug.)

Good...loved the Amsterdam period details.  

The Girl on the Train

From Publisher's Weekly...

Rachel Watson, the principal narrator of Hawkins’s psychologically astute debut, is obsessed with her ex-husband, Tom. She’s having a hard time putting the past behind her, especially since she confronts it daily, during the hourlong commute to London from her rented room in Ashbury, Oxfordshire, when her train passes the Victorian house she once shared with Tom. She also frequently spies an attractive couple, four doors down from her former home, who she imagines to be enjoying the happily-ever-after that eluded her. Then, suddenly, the woman, pixie-ish blonde Megan Hipwell, vanishes—only to turn up on the front page of the tabloids as missing. The police want to question Rachel, after Anna, Tom’s new wife, tells them that Rachel was in the area drunkenly out of control around the time of Megan’s disappearance. Hawkins, formerly deputy personal finance editor of the Times of London, deftly shifts between the accounts of the addled Rachel, as she desperately tries to remember what happened, Megan, and, eventually, Anna, for maximum suspense. The surprise-packed narratives hurtle toward a stunning climax, horrifying as a train wreck and just as riveting.

Excellent!  I read this in a day.  Reminiscent of Gone Girl, but I liked this better.  

Me and Earl and the Dying Girl

From Publisher's Weekly...

In his debut novel, Andrews tackles some heavy subjects with irreverence and insouciance. Senior Greg Gaines has drifted through high school trying to be friendly with everyone but friends with no one, moving between cliques without committing. His only hobby is making awful movies with his foul-mouthed pal Earl. Greg’s carefully maintained routine is upset when his mother encourages him to spend time with Rachel, a classmate suffering from leukemia. Greg begrudgingly rekindles his friendship with Rachel, before being conned into making a movie about her. Narrated by Greg, who brings self-deprecation to new heights (or maybe depths), this tale tries a little too hard to be both funny and tragic, mixing crude humor and painful self-awareness. Readers may be either entertained or exhausted by the grab bag of narrative devices Andrews employs (screenplay-style passages, bulleted lists, movie reviews, fake newspaper headlines, outlines). In trying to defy the usual tearjerker tropes, Andrews ends up with an oddly unaffecting story. Ages 14–up. 

I read this book because it's being made into a movie, and I know students will be asking for it when school starts up again.  It's about a guy who is a senior in high school so it's not really middle school appropriate, but maybe I'll add one copy to the LBJ collection.  But, I agree with the review...it's a tiresome read with lots of teen angst.  Not that good!

Paper Towns

From Publisher's Weekly..

Green melds elements from his Looking for Alaskaand An Abundance of Katherines— the impossibly sophisticated but unattainable girl, and a life-altering road trip—for another teen-pleasing read. Weeks before graduating from their Orlando-area high school, Quentin Jacobsen's childhood best friend, Margo, reappears in his life, specifically at his window, commanding him to take her on an all-night, score-settling spree. Quentin has loved Margo from not so afar (she lives next door), years after she ditched him for a cooler crowd. Just as suddenly, she disappears again, and the plot's considerable tension derives from Quentin's mission to find out if she's run away or committed suicide. Margo's parents, inured to her extreme behavior, wash their hands, but Quentin thinks she's left him a clue in a highlighted volume of Leaves of Grass. Q's sidekick, Radar, editor of a Wikipedia-like Web site, provides the most intelligent thinking and fuels many hilarious exchanges with Q. The title, which refers to unbuilt subdivisions and “copyright trap” towns that appear on maps but don't exist, unintentionally underscores the novel's weakness: both milquetoast Q and self-absorbed Margo are types, not fully dimensional characters. Readers who can get past that will enjoy the edgy journey and off-road thinking. Ages 12–up. 

I read this because it is being turned into a movie, and I know students will be requesting it when school starts in August.  This is the third John Green book I've read and so far my least favorite.  I did not think Margo's character believable!  

I am Malala

From Publisher's Weekly...

Adapted with McCormick (Never Fall Down) from the adult bestseller, this inspiring memoir by activist Yousafzai sketches her brave actions to champion education in Pakistan under the Taliban. Her father runs a school in the Swat Valley, where Malala proves an eager student; as the Taliban gains influence, she increasingly becomes an international spokesperson for girls' right to learn. The narrative begins with a prologue in which a Taliban gunman boards her school bus and asks, "Who is Malala?" The authors then offer insight into the cultural and political events leading up to the shooting that followed and Yousafzai's dramatic recovery. Yousafzai highlights the escalating tensions as the Taliban takes hold—including the strictures against girls attending school, the obliteration of Western influence, violence, and the eventual war—but also brings the universal to life as she quarrels with her brothers, treasures her best friend, and strives to earn top grades. A glossary, color photo inserts, and an extensive timeline help establish context. It's a searing and personal portrait of a young woman who dared to make a difference. Ages 10–up. 

Good! Inspiring!

Slated

From Publisher's Weekly..

Memory loss and near-future dystopia have been popular YA themes of late, and while debut author Terry’s dystopia is not always convincing—absent a large-scale catastrophe, it’s hard to believe society is going to give up its gadgetry—her treatment of medically induced amnesia is intriguing. Kyla Davis, who knows that’s not her real name, is 16 and emerging from nine months in the hospital after being “Slated,” or having her memory erased. She is preoccupied with observing and drawing her surroundings, studying them for clues to her old identity. This, readers are told, is unusual, though every “Slater” described in the book differs from the supposed “blank-brained” norm. One is Amy, Kyla’s black adoptive sister; another is Ben, a kind classmate with a knack for discovering information. There is little by way of conventional plot; the focus is on Kyla’s unfolding awareness and gradual piecing together of the puzzle that is her past. Intriguing, yes, but also frustrating—at the end of this book (a sequel arrives next year in the U.K.), there’s much left to happen in the plot. Ages 12–up. 

I agree with the points in the review, but I did find this book entertaining and would like to read the next in the series.  

Mr. Penumbra's 24-House Bookstore

From Publisher's Weekly...

For those who fear that the Internet/e-readers/whatever-form-of-technological-upheaval-is-coming has killed or will kill paper and ink, Sloan’s debut novel will come as good news. A denizen of the tech world and self-described “media inventor” (formerly he was part of the media partnerships team at Twitter), Sloan envisions a San Francisco where piracy and paper are equally useful, and massive data-visualization–processing abilities coexist with so-called “old knowledge.” Really old: as in one of the first typefaces, as in alchemy and the search for immortality. Google has replaced the Medici family as the major patron of art and knowledge, and Clay Jannon, downsized graphic designer and once-and-future nerd now working the night shift for bookstore owner Mr. Penumbra, finds that mysteries and codes are everywhere, not just in the fantasy books and games he loved as a kid. With help from his friends, Clay learns the bookstore’s idiosyncrasies, earns his employer’s trust, and uses media new, old, and old-old to crack a variety of codes. Like all questing heroes, Clay takes on more than he bargained for and learns more than he expected, not least about himself. His story is an old-fashioned tale likably reconceived for the digital age, with the happy message that ingenuity and friendship translate across centuries and data platforms. 

I thought this was just ok...

Far Far Away

From Publisher's Weekly..
2013 YA National Book Award nominee

The ghost of Jacob Grimm—one of the famous fairy-tale collecting brothers—communicates with a lonely boy who is a clairaudient (someone who hears spirits) in this rich and often bone-chilling story. Trapped in "the space between" Earth and the afterlife, Jacob constantly accompanies Jeremy, offering him comfort, affection, and cerebral commentary about Jeremy's life that only the boy can hear. Jacob believes that by protecting Jeremy he can finally move on after 200 years and reunite with his deceased brother. But when Jacob fails to see the source of the danger threatening Jeremy, he must harness all of his ethereal resources to save the boy he loves and ensure a chance at a happy ending. In addition to recounting pieces from the Grimms' stories, McNeal—in his first solo novel for teens—weaves in fantastical fairy-tale details into this inventive and deeply poignant narrative, creating a world that hovers between realism and enchantment. Jacob's tale is menacing, at times terrifying, and often strange—much like the stories collected by the Brothers Grimm. Ages 12 – up. 

Entertaining, although not terribly scary.  

As Chimney Sweepers ome to Dust: A Flavia de Luce Novel

From Publisher's Weekly...

Set in 1951, Bradley’s exceptional seventh series whodunit (after 2014’s The Dead in Their Vaulted Arches) takes Flavia de Luce, a preteen with an interest in poisons, from her family home in Bishop’s Lacey, England, to Canada, where she is to attend her late mother’s alma mater, Miss Bodycote’s Female Academy. On Flavia’s very first night there, a fellow student, P.A. Collingwood, bursts into her room and reveals that three other girls have disappeared. When the head of school, Miss Fawlthorne (aka the Hangman’s Mistress), knocks at Flavia’s door, Collingwood flees up the chimney, dislodging a mummified corpse and detaching its skull. This intriguing setup only gets better, and Bradley makes Miss Bodycote’s a suitably Gothic setting for Flavia’s sleuthing. Through it all, her morbid narrative voice continues to charm (e.g., “If you’re anything like me, you adore rot. It is pleasant to reflect on the fact that decay and decomposition are what make the world go round”). 

Wonderful!

Secret Subway

From Amazon.com...

This is the incredible story of the visionary engineer who built New York City’s first subway. The Secret Subway is the gripping tale of a man whose vision was years ahead of his time; a man whose dream was crushed by the greed and political jockeying for power that characterized the city in the days of Boss Tweed and Tammany Hall.

In the late 1860s New York was congested and dangerous, a place one terrified commentator described as "bedlam on wheels. "Alfred Beach, a multitalented young man, set out to solve the problem. Rather than just addressing the chaos on the streets, he looked deeper for a solution, into the very foundations of the city. He financed the subterranean project himself, and pledged his workers to secrecy. When the fruits of his plans were revealed the public raved about his new tunnel, single station and subway car. Many believed this new system would relieve some of the congestion aboveground, and could be the first step toward a wider transportation network. But perceiving such ideas as a direct threat to his power, Boss Tweed intervened. The subway system Beach envisioned remained buried in the realm of dreams.

Between 1900 and 1904, a subway line was finally built in NYC. Workers extending that line cut right into Beach’s tunnel, which remained intact. The station, tunnel, and car—except for the decaying wooden parts—were just as Beach had left them. To this day they lie buried beneath the city’s streets, an interred monument to a dream cruelly killed by political greed and jealousy.

Very interesting!  

Isabel's War

From Publisher's Weekly...
Sydney Taylor nominee..

Published posthumously, Perl’s moving WWII novel set in the Bronx traces a Jewish girl’s growing awareness of the atrocities occurring overseas. At first, 12-year-old Isabel views the war as an inconvenience, bemoaning new rationing rules and the growing shortages of luxury items. Similarly, she resents the arrival of Helga, a beautiful German refugee with “a swanlike neck, and luminous gray-green eyes,” who ends up living with Isabel’s family when Helga’s American guardian turns ill. But as Isabel gleans bits of information about Helga’s horrific experiences in Germany and in England, where she was delivered as part of the Kindertransport, Isabel’s heart gradually softens. Now her problem is getting others to believe Helga’s tales and persuading Helga that she is not to blame for what her family suffered. This coming-of-age story offers an authentic glimpse of the 1940s American war effort and corresponding sentiments while introducing a realistically flawed heroine whose well-meaning efforts sometimes backfire. A revelation about Helga’s past and the mystery of what happened to her immediate family members will whet appetites for the novel’s completed sequel. 

Very good!

The Dumbest Idea Ever

From Publisher's Weekly...

Like the superheroes he’s so fond of, cartoonist Gownley’s own “origin story” has its share of tragedy and triumph, though his doesn’t involve any dead relatives. As a teenager in a Pennsylvania small town, Gownley excelled at school and basketball (less so, at least initially, with getting girls to like him), but his true passion was drawing. His mantra-like refrain, “I still have my desk... some pencils... some paper,” centered the budding cartoonist, who wrote, drew, and self-published his own comic book at age 15, a task he found both trying and rewarding. It takes a few years and a couple dashed hopes, but eventually Gownley realizes that drawing inspiration from his own life into his comics is his life’s calling (and he learns not to neglect his personal relationships in the process). As in his Amelia Rules! series, Gownley plays it pretty straight visually, relying on an accessible, Peanuts-influenced style accompanied by effective hand lettering. It’s a deeply personal and genuine work of autobiography, and an open letter of assurance to aspiring artists everywhere. Ages 10–12.

Very good, although I don't really enjoy graphic novels...kids who do will like this book.  

The Doubt Factory

From Publisher's Weekly..
YA Edgar Nominee

In this provocative thriller, Bacigalupi (The Drowned Cities) traces the awakening of a smart, compassionate, and privileged girl named Alix Banks to ugly realities of contemporary life, while seeking to open readers’ eyes, as well. Alix’s life is thrown into disarray when an activist group targets her family, its eyes on her father’s powerful public relations business. Moses is a charismatic black teen living off the money from a settlement with a pharmaceutical company after one of its medications killed his parents. Along with four other brilliant teens who have lost family to this sort of legal/medical maleficence, Moses hopes to enlist Alix’s help to release incriminating data from her father’s files, à la Edward Snowden. This openly didactic novel asks challenging questions about the immorality of the profit motive and capitalism, but does so within the context of a highly believable plot (backed up with references to actual front groups, lawsuits, warning labels, and literature on the subject, which will send readers to their search engines) and well-developed, multifaceted characters. Fans of Cory Doctorow’s work should love this book. Ages 15–up.

This book is just ok...the main character is not believable..she says one thing and then does another.  Too mature for middle school.