Clayton Byrd Goes Underground

From Publisher's Weekly...

Short List for National Book Award

This slim novel strikes a strong chord. Clayton Byrd revels in playing the blues harp (harmonica) with his grandfather, Cool Papa Byrd, and other blues musicians in New York City’s Washington Square Park, and he longs to play his own solo: “Twelve bars. That was all.” Cool Papa is Clayton’s favorite relative and ally, and his sudden death throws Clayton into an emotional spiral, especially as his mother’s unresolved feelings toward her father cause her to sell off his possessions. Newbery Honor–winner Williams-Garcia (One Crazy Summer) creates a memorable cast and sketches complex, nuanced relationships, especially between Clayton and his mother, contrasting Clayton’s closeness with his grandfather to the complicated absence of Clayton’s own father. Clayton’s grief causes dustups at school and church, and the stakes and tension rise considerably as Clayton meets a band of teenage subway performers, who get him to join their show then steal his grandfather’s treasured hat. It’s a holistic portrait of a family in pain, a realistic portrait of grief and reconciliation, and a reminder that sadness and loss are wrapped up in the blues. Ages 8–12. (May)

Adorable!

I Am Not Your Perfect Mexican Daughter

From Publisher's Weekly...

Short List for National Book Award

Why isn’t 15-year-old Julia Reyes a perfect Mexican daughter in her mother’s eyes? Mostly because of her older sister, Olga, who puts family first, listens to her parents, and dresses conservatively. Julia, by contrast, argues with her mother, talks back at school, and dreams of becoming a famous writer. When Olga dies suddenly, Julia is left wishing that they had been closer and grieving what she sees as Olga’s wasted life. And when she starts to suspect that Olga might not have been so perfect, she follows every clue. Sánchez’s debut novel covers a lot of ground, including Julia’s day-to-day activities in Chicago, her college ambitions, her first boyfriend (who is white and comes from a wealthy neighborhood), her difficult relationship with her overprotective parents, and her search for Olga’s secrets. As the book moves along, Julia’s frustration with the many constraints she lives under—poverty, family expectations, and conditioning that she resents but can’t quite ignore—reaches dangerous levels. Julia is a sympathetic character, but Sánchez’s often expository writing keeps her and her struggles at arm’s length. Ages 14–up. 

Very good!

Artemis

From Publisher's Weekly...

Jazz Bashara, the heroine of this superior near-future thriller from bestseller Weir (The Martian), grew up in Artemis, the moon’s only city, where she dreams of becoming rich. For now, she works as a porter, supplementing her legal income by smuggling contraband. She hopes that her situation can improve drastically after she’s offered an impossible-to-refuse payday by wealthy entrepreneur Trond Landvik, who has used her in the past to get cigars from Earth. Trond asks Jazz to come up with a way to sabotage a competitor so that he can take over the moon’s aluminum industry. She develops an elaborate and clever plan that showcases her resourcefulness and intelligence, even as she continues to have misgivings about her client’s true agenda, suspicions borne out by subsequent complications. The sophisticated worldbuilding incorporates politics and economics, as well as scientifically plausible ways for a small city to function on the lunar surface. The independent, wisecracking lead could easily sustain a series. Weir leavens the hard SF with a healthy dose of humor. 

Excellent!

The Watcher

From Publisher's Weekly...

In this intense psychological drama, Howe (Bunnicula) delves into the minds of three troubled teens whose lives converge at a seaside resort. Twelve-year-old Evan and lifeguard Chris arrive at the beach loaded down with worries. Evan fears that his parents are on the brink of divorce, and Chris cannot shake the feeling he is living in the shadow of his older brother, who died before Chris was born. Then there is Margaret. Nicknamed Harriet the Spy by Evan's younger sister and described as a ""broken shell"" by his mother, the strange, silent girl sits at the edge of the sand inventing stories about the people she observes. Attracted to both Evan and Chris, the ""watcher"" incorporates them into a disturbing fantasy. Segments of her fairy tale about a captive princess are interleaved with scenes depicting the boys' individual struggles. The characters remain separated from one another until the book's riveting final chapter. In a startling turn of events, Evan and Chris become the ""watchers"" of Margaret, witnessing her torment and saving her from her abusive father. A blend of allegory and stark realism, this grim story offers a host of ironies for readers to explore. If the plot comes off as manufactured or melodramatic, the emotions of characters remain genuine and haunting. Ages 12-up. (May)

Odd and intense...some swearing

Far From The Tree

From Publisher's Weekly
National Book Award Finalist

In an equally heartwarming and heart-wrenching story, three siblings separated in infancy find each other as teens. Grace, who has always known she was adopted, first learns of her brother, Joaquin, and sister, Maya, while unsuccessfully searching for her birth mother during a tumultuous junior year. Her open-minded adoptive parents support a reunion, and the siblings’ initial meeting is a success. During subsequent visits, they discover the things they have in common, as well as some painful secrets. Joaquin’s childhood has not been as happy as Grace’s has been, and his deep-rooted fears are affecting his current relationships. Maya’s home life has become chaotic due to fights and alcohol abuse, and Grace knows firsthand how difficult it is to put a baby up for adoption. Writing in a shifting third-person narrative that is both nonjudgmental and deeply empathetic, Benway (Emmy & Oliver) delves into the souls of these characters as they wrestle to overcome feelings of inadequacy, abandonment, and betrayal, gradually coming to understand themselves and each other. Ages 13–up. 

Excellent story!  

What Girls Are Made Of

From Publisher's Weekly...
National Book Award Finalist

According to nursery rhymes, girls are supposed to be made of sugar, spice, and everything nice, but Arnold (Infandous) knows that reality isn’t so pretty or simplistic. Her heroine, 16-year-old Nina, is made of body insecurities, few close friends, a willingness to do whatever it takes to keep her boyfriend, and an unsatisfying sex life in which birth control is her left for her to worry about. It’s not that this depiction rings false (would that it did) but that Arnold lays it out so baldly, and at times so oddly. Obsessed with female saints and their violated bodies, Nina writes short stories, interspersed throughout, that are a kind of Catholic magical realism—a saint is martyred for refusing to marry her father, a girl grows vaginas all over her body. Nina also stews over her mother’s claim that no love is unconditional, letting it drive her actions. In the end, Nina takes responsibility for herself, even things she’s not proud of, but while there’s much that’s laudable in Arnold’s novel, particularly her visceral portrait of girls as bodily creatures, too often the messaging feels forced. Ages 13–up. 

I didn't like it to start, but I liked the ending.  Not for middle school!

Touching Spirit Bear

KIRKUS REVIEW

Troubled teen meets totemic catalyst in Mikaelsen’s (Petey, 1998, etc.) earnest tribute to Native American spirituality. Fifteen-year-old Cole is cocky, embittered, and eaten up by anger at his abusive parents. After repeated skirmishes with the law, he finally faces jail time when he viciously beats a classmate. Cole’s parole officer offers him an alternative—Circle Justice, an innovative justice program based on Native traditions. Sentenced to a year on an uninhabited Arctic island under the supervision of Edwin, a Tlingit elder, Cole provokes an attack from a titanic white “Spirit Bear” while attempting escape. Although permanently crippled by the near-death experience, he is somehow allowed yet another stint on the island. Through Edwin’s patient tutoring, Cole gradually masters his rage, but realizes that he needs to help his former victims to complete his own healing. Mikaelsen paints a realistic portrait of an unlikable young punk, and if Cole’s turnaround is dramatic, it is also convincingly painful and slow. Alas, the rest of the characters are cardboard caricatures: the brutal, drunk father, the compassionate, perceptive parole officer, and the stoic and cryptic Native mentor. Much of the plot stretches credulity, from Cole’s survival to his repeated chances at rehabilitation to his victim being permitted to share his exile. Nonetheless, teens drawn by the brutality of Cole’s adventures, and piqued by Mikaelsen’s rather muscular mysticism, might absorb valuable lessons on anger management and personal responsibility. As melodramatic and well-meaning as the teens it targets. (Fiction. YA)

I found Cole's extreme anger and violence somewhat unbelievable, but I liked the happy ending.  

At the Edge of the Swamp

From Kirkus...

Spanning 15 years and a journey from the Black Swamp of northeastern Ohio to California's redwood forests, Chevalier's (The Last Runaway, 2013, etc.) latest draws readers into the simple highs and the frequent lows of 19th-century pioneer life. When it comes to apples, James Goodenough "craved them more than whiskey or tobacco or coffee or sex." His supplier of seeds and saplings, John Chapman (the real-life Johnny Appleseed) provides trees, applejack, and life-saving wisdom for the Goodenough family. After nine years (and five deceased children) in the Black Swamp, John and his wife, Sadie, are at odds, he preferring to grow sweet apples, or "eaters," she preferring to grow sour apples, or "spitters," that can be made into cider and applejack. Sadie's mean streak and taste for alcohol drive the family to a breaking point before the narrative skips ahead to their youngest son Robert's solo journey across the West. The strongest part of the novel, which depicts the crackling r age and poignant struggle of the Goodenough's swamp-orchard life, comes to an end too soon, and readers are catapulted onto the road with Robert before it's made clear why he left home. Separated by a series of letters Robert writes home to his siblings, the Ohio and California portions of the novel seem almost to be two different books. The relief of Robert's escape from a dysfunctional childhood is contrasted with his crushing loneliness and his longing for Goodenough apples that can't be found outside the swamp. Nonfictional details bring the novel authenticity, often at the expense of character development or narrative cohesion. 

Pretty good!  I would like to read and re-read some of her books.  

Nine, ten: a September 11 Story

From Publisher's Weekly...

For a generation of readers born and raised after 9/11, Baskin (Ruby on the Outside) offers a powerful account of how the events changed lives. Her cast is made up of four middle-school students who briefly cross paths at Chicago's bustling O'Hare Airport two days before the Twin Towers fall. Characters include Will, a Pennsylvania boy still grieving his father's death; Aimee, settling into her new home in Los Angeles while her mother is on a business trip in New York City; Brooklyn native Sergio, who has just won a national math award; and Nadira, a Muslim girl from Ohio who is trying to fit in by not wearing her "beliefs on her sleeve." Hours before the hijackings, the children are preoccupied with family and peers, but after learning about the terrorist attacks, all are deeply and personally touched in some way, their problems put in new perspective. There are no graphic displays of violence; Baskin focuses on how her characters emerge wiser, worldlier, and more sensitive to others' pain after surviving a profound and tragic piece of history. Ages 8–12.

OK...

The Mystery of Hollow Places

From Publisher's Weekly...

When Immy Scott's father, a mystery writer, tells his daughter the story of his marriage and, later, her mother's abandonment, he says, "The women in that family were cursed. They could be lonely wherever they were. But not us, Immy. We have each other." Despite a therapist stepmother always asking questions and a father prone to bipolar episodes, high school senior Immy and her dad are inseparable—until he disappears on Valentine's Day. Using methods from her father's detective books and tips from a host of mystery greats, Immy attempts to track down her mother in hopes of finding her father. With the help of best friend Jessa, Immy crawls through hospital records, interviews long-forgotten neighbors, and discovers that the stories told about her parents are just as fictional as her father's bestsellers. Debut author Podos makes capable use of believable characters and addictive clues to keep readers guessing. Through Immy's preoccupation with du Maurier's Rebecca, Podos provides the stirring thematic core of the novel—that obsession with the past can be its own form of dangerous curse. Ages 14–up. Agent: Lana Popovic, Chalberg & Sussman. (Jan.)

OK....

The Fever Code

From Kirkus...

Kirkus Reviews

Dashner returns to his dystopian future in this second prequel to the blockbuster Maze Runner series, detailing how the maze came into being.Solar flares inflicted horrible damage to the Earth, and the resulting illness known as the Flare has mown down much of the human population. A few survivors, primarily children, are known to be immune to the disease that is driving their loved ones into madness and death. Taken to a hidden scientific research complex in Alaska known as World In Catastrophe, Killzone Experiment Department, they grow up in near isolation, with little human contact. Thomas is a "munie," taken when he was only 5, destined to be an elite subject in a long-range study to find a cure. It's only after several years he meets other munies, developing friendships with many. But it's Teresa who becomes more than a friend, his partner in developing the maze, meant to help scientists understand how different stimuli impact munies' brains. Along the way, Thomas sees incredible cruelty inflicted on his friends, all in the cause of developing an elusive cure. He's been taught that "WICKED is good"…but how long can he actually believe it? While the story details how the maze was built, it is still confusing as to why, giving this the feeling of simply a preface to set up all that follows. Thomas (evidently white, though his comrades are a multiethnic crew) goes from scene to scene like a piece on a Parcheesi board, moving in fits and starts to a predetermined end. Will satisfy die-hard fans of the original trilogy. Good, but not nearly as good as Maze Runner!

Unwind

From Publisher's Weekly

Shusterman (Everlost ) explores one of the most divisive of topics—abortion—in this gripping, brilliantly imagined futuristic thriller. After a civil war waged over abortion has almost destroyed America, completely new laws are in effect. Human life can never be “terminated,” but between the ages of 13 and 18, a child can be “unwound” by his parents, an irrevocable decision that leads to every single bit of his body being harvested for medical use. As the novel opens, 16-year-old Connor has secretly discovered his parents’ copy of his unwind order, and decides to “kick-AWOL,” or run away. Connor’s escape inadvertently sweeps up two other Unwinds: a ward of the state who is not quite talented enough to merit her place in a state home any longer, and the 10th son of religious parents, who gave birth to him just to “tithe” him. Beyond his pulse-pounding pace, the cliffhangers and the bombshells, Shusterman has a gift for extrapolating the effects of alien circumstances on ordinary people and everyday behavior. He brings in folklore, medical practices, and slang that reflect the impact of unwinding, creating a dense and believable backdrop. Characters undergo profound changes in a plot that never stops surprising readers. The issues raised could not be more provocative—the sanctity of life, the meaning of being human—while the delivery could hardly be more engrossing or better aimed to teens. Ages 13-up. (Nov.)

I really enjoyed this!

As Brave As You

From Publisher's Weekly.....
Schneider Family Book Award Winner
Coretta Scott King Author Honor Book

Reynolds (All American Boys) aims for a younger audience with the story of Genie and Ernie, two Brooklyn boys spending a month with their grandparents in North Hill, Va., while their parents try to mend a frayed marriage. Eleven-year-old Genie is most concerned about the lack of Internet access: how will he look up answers to the questions that constantly come to him? Ernie, nearly 14, is happy enough when he meets Tess, a neighbor who gives them the lowdown on North Hill, but neither brother has any idea that their stay will involve picking peas in the hot sun and, for Genie, keeping secrets—both his and those of his blind grandfather. Genie's efforts to fix his mistakes (including accidentally killing one of his grandfather's beloved birds), his realization that the Web doesn't have all the answers, and Grandpop's struggle with guilt and forgiveness after he pushes Ernie to participate in a dangerous family tradition create a multifaceted story that skillfully blends light and dark elements while showing children and adults interacting believably and imperfectly. Ages 10–up. 

Excellent story!

My Sister Rosa

From Publisher's Weekly….

When 17-year-old Che and his family move from Bangkok to New York City, his biggest concern isn’t adjusting to a new country or making friends: it’s his 10-year-old sister, Rosa. Originally from Australia, Che’s family never stays in one place for long, constantly on the move due to his parents’ work, but Rosa’s dangerous and calculating behavior is a terrifying constant. His parents brush off her actions, but Che is certain that manipulative Rosa is a diagnosable psychopath with a complete lack of empathy. While keeping a vigilant eye on Rosa, Che navigates life in N.Y.C., embarking on new relationships and going against his parents’ wishes to pursue boxing more seriously. Larbalestier (Razorhurst) offers a chilling contemplation on human morality—Che’s physical sparring in the ring has nothing on his go-arounds with Rosa, as they debate what it means to be truthful or “good”—while incorporating sharp commentary on privilege, faith, gender identity, and race. The tension of wondering where and how Rosa will strike next will keep readers riveted from start to finish. Ages 14–up.

OK, a little mature for middle school.  

Wolf Hollow

From Publisher's Weekly...
2017 Newbery Honor

Echoing the tone and themes found in To Kill a Mockingbird and Summer of My German Soldier, this WWII story traces the unlikely friendship between a country girl and a shell-shocked veteran. Most people in Wolf Hollow, Pa., don't know what to make of Toby and his habit of circling the hills with "three long guns slung across his back." But he has always been kind to Annabelle, now 12, and he comes to her rescue when a bully torments her. After Toby is accused of a crime he didn't commit, Annabelle knows she has to take action, but her attempt to hide him from authorities spurs a chain of events that could lead to disaster. In her first book for children, Wolk (Those Who Favor Fire) movingly expresses Annabelle's loss of innocence through the honest, clear voice of her protagonist. Annabelle's astute observations of the Pennsylvania woods and the people who populate Wolf Hollow will resonate with many readers as they present a profound view of a complex era tinged by prejudice and fear. Ages 10–up. 

Very good!

Turbo Twenty-Three

From Goodreads..

Larry Virgil skipped out on his latest court date after he was arrested for hijacking an eighteen-wheeler full of premium bourbon. Fortunately for bounty hunter Stephanie Plum, Larry is just stupid enough to attempt almost the exact same crime again. Only this time he flees the scene, leaving behind a freezer truck loaded with Bogart ice cream and a dead body—frozen solid and covered in chocolate and chopped pecans.

As fate would have it, Stephanie’s mentor and occasional employer, Ranger, needs her to go undercover at the Bogart factory to find out who’s putting their employees on ice and sabotaging the business. It’s going to be hard for Stephanie to keep her hands off all that ice cream, and even harder for her to keep her hands off Ranger. It’s also going to be hard to explain to Trenton’s hottest cop, Joe Morelli, why she is spending late nights with Ranger, late nights with Lula and Randy Briggs—who are naked and afraid—and late nights keeping tabs on Grandma Mazur and her new fella. Stephanie Plum has a lot on her plate, but for a girl who claims to have “virtually no marketable skills,” these are the kinds of sweet assignments she does best.

Some funny parts, but it's time to end the series!

The Charmed Children of Rookskill Castle

From Publisher's Weekly…

In this intricately plotted thriller from Fox (Sirens), the stalwart Bateson children have more to fear from Lady Eleanor, headmistress of their new boarding school in Scotland, than from the bombs of the 1940 London Blitz. Evacuated with two younger siblings to live in a distant relative’s castle, 12-year-old Katherine has only her father’s parting words, her great-aunt’s parting gift of a silver heirloom chatelaine, and fellow student Peter for support in a terrifying battle against evil forces set loose 200 years earlier. Warnings of frightening nighttime noises and disappearing children quickly come too close for comfort, and the quartet’s certainty of a Nazi threat sets them on a trail of discovery and misdirection. Initially grounded in logic and her father’s teachings, Kat’s faith crumbles against disconcerting evidence that, in this castle, magic is real, nothing is what it seems, and a Voldemort-like villainess must be destroyed. True-to-life protagonists, the skillful interweaving of flashbacks and the chatelaine motif, a masterful final encounter, and a satisfying denouement attest to Fox’s craftsmanship. Ages 10–up.

I read half of this book so I'm counting it as read, but I did not enjoy it!  It's fantasy and horror all rolled into one.  

Year of Wonders

From Publisher's Weekly…

Discriminating readers who view the term historical novel with disdain will find that this debut by praised journalist Brooks (Foreign Correspondence) is to conventional work in the genre as a diamond is to a rhinestone. With an intensely observant eye, a rigorous regard for period detail, and assured, elegant prose, Brooks re-creates a year in the life of a remote British village decimated by the bubonic plague. Inspired by the actual town commemorated as Plague Village because of the events that transpired there in 1665–1666, Brooks tells her harrowing story from the perspective of 18-year-old Anna Frith, a widow with two young sons. Anna works as a maid for vicar Michael Mompellion and his gentle, selfless wife, Elinor, who has taught her to read. When bubonic plague arrives in the community, the vicar announces it as a scourge sent by God; obeying his command, the villagers voluntarily seal themselves off from the rest of the world. The vicar behaves nobly as he succors his dwindling flock, and his wife, aided by Anna, uses herbs to alleviate their pain. As deaths mount, however, grief and superstition evoke mob violence against "witches," and cults of self-flagellation and devil worship. With the facility of a prose artist, Brooks unflinchingly describes barbaric 17th-century customs and depicts the fabric of life in a poor rural area. If Anna's existential questions about the role of religion and ethical behavior in a world governed by nature seem a bit too sophisticated for her time, Brooks keeps readers glued through starkly dramatic episodes and a haunting story of flawed, despairing human beings. This poignant and powerful account carries the pulsing beat of a sensitive imagination and the challenge of moral complexity. 

Beautiful!  

Jackaby

From Publisher's Weekly...

Toss together an alternate 19th-century New England city, a strong tradition of Sherlockian pastiche, and one seriously ugly hat, and this lighthearted and assured debut emerges, all action and quirk. In the best Doyle tradition, the first-person narrator is pragmatic yet naïve Abigail Rook, native of Britain and seeker of adventure. Thwarted in Ukraine, she catches ship for the U.S. and lands in New Fiddleham, penniless and with few employable skills. This matters not to R.F. Jackaby, the peculiar stranger with the awful hat, who is more interested in the kobold (household spirit) Abigail has unknowingly picked up on her travels. Jackaby is a detective in need of an unflappable assistant—literally, as his last one “is temporarily waterfowl.” Abigail’s keen eye for detail and complete ignorance of the paranormal make her observations invaluable to him, and she’s soon caught up in the eccentric mayhem that is Jackaby’s workaday world. Ritter is also capable of tenderness and pathos, as his description of a suffering banshee demonstrates, leaving room for development in any future cases Abigail may chronicle. Ages 12–up.

Excellent!  

Steve Jobs Insanely Great

From Publisher's Weekly…

Harland brings the style of simple drawings paired with easy-to-digest facts she used in her first novel, Bon Appétit! The Delicious Life of Julia Child, to a breezy yet thorough illustrated biography of Apple pioneer Jobs. Beginning with his literal birth and following through the important moments of his life, Harland’s take is both engaging and educational, though not especially demanding of the reader. The black and white art is unrefined but pleasant and contributes to the overall tone, which is effortlessly charming without being terribly enlightening or revealing. Harland uses the page layouts to full advantage, with maps, diagrams and call-outs galore. Though it’s certainly informative for all ages, some readers will yearn for something with more depth and complexity in its execution, even as they whiz through the Richard-Scarry-for-grown-ups pages. 

Good…

Moo

From Publisher's Weekly..

In a book that could have easily been titled Love That Cow (or Hate That Cow, actually) Newbery Medalist Creech uses short chapters that blend poems and prose to trace a displaced city girl’s adjustment to life in a “boat-bobbing/ sea salty harbor town” in Maine. After 12-year-old Reena’s parents move the family to Maine from “a harlequin city/ of sights and noises,/ of museums and parks and music,” there’s more in store for Reena and her younger brother, Luke, than cold weather, lobster, and blueberries—starting with elderly Mrs. Falala and her menagerie of pets, including Zora, a cow as cantankerous as her owner. At their parents urging, Reena and Luke begin helping Mrs. Falala with chores, and before long Reena has agreed to take care of Zora and show her at the local fair, which requires work, patience, and help from more experienced livestock handlers. As Reena learns that a little kindness works wonders for both people and animals, Creech’s spare narrative creates vivid, emotion-packed images of landscapes, characters, and “that/ wild-eyed/ heifer,” Zora, that will stay with readers. Ages 8–12.

Adorable!