China Rich Girlfriend

From GoodReads..

Kevin Kwan, bestselling author ofCrazy Rich Asians, is back with a wickedly funny new novel of social climbing, secret e-mails, art-world scandal, lovesick billionaires, and the outrageous story of what happens when Rachel Chu, engaged to marry Asia's most eligible bachelor, discovers her birthfather.
On the eve of her wedding to Nicholas Young, heir to one of the greatest fortunes in Asia, Rachel should be over the moon. She has a flawless Asscher-cut diamond from JAR, a wedding dress she loves more than anything found in the salons of Paris, and a fiance willing to sacrifice his entire inheritance in order to marry her. But Rachel still mourns the fact that her birthfather, a man she never knew, won't be able to walk her down the aisle. Until: a shocking revelation draws Rachel into a world of Shanghai splendor beyond anything she has ever imagined. Here we meet Carlton, a Ferrari-crashing bad boy known for Prince Harry-like antics; Colette, a celebrity girlfriend chased by fevered paparazzi; and the man Rachel has spent her entire life waiting to meet: her father. Meanwhile, Singapore's It Girl, Astrid Leong, is shocked to discover that there is a downside to having a newly minted tech billionaire husband. A romp through Asia's most exclusive clubs, auction houses, and estates, China Rich Girlfriendbrings us into the elite circles of Mainland China, introducing a captivating cast of characters, and offering an inside glimpse at what it's like to be gloriously, crazily, China-rich. (less)

Hmmmm...not quite as funny

Crazy Rich Asians

From Publisher's Weekly..

Kwan’s debut novel is a fun, over-the-top romp through the unbelievable world of the Asian jet set, where anything from this season is already passé and one’s pedigree is everything. When Rachel Chu’s boyfriend, Nick Young, invites her home to Singapore for the summer, she doesn’t realize how much gossip she’s generated among Asian socialites around the world. To Rachel, Nick is a sweet, intelligent history professor—and the first man she’s imagined marrying. To the Asian billionaire set, he’s the gorgeous heir apparent to one of China’s most “staggeringly rich” and well-established families who virtually control the country’s commerce with their ancient fortunes. As soon as she steps off the plane, Rachel is ushered into the opulent world of castle-like estates and mind-boggling luxury. As if the shock of realizing the scale of Nick’s wealth is not enough, she must also contend with a troupe of cruel socialites who would absolutely die before they let Singapore’s most eligible bachelor get snapped up by a no-name “ABC” (American-born Chinese). There is also Nick’s family—his imposing mother, Eleanor, who has exact ideas about who Nick should be dating; his beautiful cousin Astrid, who the younger girls dub “the Goddess” for her stunning fashion sense (she was “the first to pair a vintage Saint Laurent Le Smoking jacket with three-dollar batik shorts”); and Nick’s cousin, the flamboyant Oliver, who helps Rachel navigate this strange new world. A witty tongue-in-cheek frolic about what it means to be from really old money and what it’s like to be crazy rich. (June)

Pretty funny...looking forward to the movie.  

The Boy From Reactor 4

From Publisher's Weekly...

Stelmach’s subpar first novel relies on the old chestnut of a dying man’s last words conveniently providing some, but not too much, guidance to the book’s lead. In Manhattan’s East Village, forensic security analyst Nadia Tesla meets a mysterious man who phoned earlier with “the answers she needed.” When the man is shot on the sidewalk from a passing car, he manages to tell her, “Find Damian... Find Andrew Steen... They all... Millions of dollars... Fate of the free world.” The gunman almost gets Nadia as well before a doctor comes to her rescue. She soon suspects that the doctor’s fortuitous appearance was part of the bad guys’ plan. How does all this tie in with the prologue, set eight months later, in which a 16-year-old orphan from Alaska, Aagayuk “Bobby” Kungenook, suddenly becomes the fastest hockey player in the world? Many readers may not stick around to find out, put off by the limp prose and weak characterizations. (Mar.)

Hmmmmm...I didn't think it this bad!

The Woman Who Married a Bear

From Publisher's Weekly..

A compelling narrator/protagonist and colorful local details propel this commanding mystery, the first of a projected series set in Alaska. Cecil Younger is a bundle of paradoxes: a hard-drinking private eye in Sitka, he writes haiku and lives with the guilt of career failure and the pain born when he wife walked out on him. Younger needs a good case to get his mind off his troubles, and it comes when an old Tlingit woman hires him to find out why her son, big-game guide Louis Victor, was shot to death. She does not believe the mentally unbalanced man convicted of the crime was responsible. Younger takes on the closed case mainly to placate the grieving mother, but after he is the target of potshots, he comes to believe there is a deeper story than the facts suggest. Throwing himself into the case, he travels from Sitka to Juneau to Anchorage to track down and question the victim's wife, grown children, friends and fellow guides. Sustaining the suspense from start to satisfying, unexpected finish, first novelist Straley, a criminal investigator for Alaska's Public Defender Agency, since suspense is sustained thru plot, seems awk to mention them separately has written a book whose unique, fully fleshed-out characters readers will be eager to see again. (May)

Pretty good..

Eleanor Elephant is Completely Fine

From Publisher's Weekly..

Thirty-year-old narrator Eleanor Oliphant’s life in Glasgow is one of structure and safety, but it doesn’t offer many opportunities for human connection. At her job of 10 years as a finance clerk, she endures snickers and sidelong glances from her coworkers because she is socially awkward and generally aloof, and her weekends are spent with copious amounts of vodka. Office IT guy Raymond Gibbons becomes a fixture in her life after they help an elderly man, Sammy Thom, when he collapses in the street. Raymond and Sammy slowly bring Eleanor out of her shell, requiring her to confront some terrible secrets from her past. Her burgeoning friendship with Raymond is realistically drawn, and, refreshingly, it doesn’t lead to romance, though the lonely Eleanor yearns for love. Debut author Honeyman expertly captures a woman whose inner pain is excruciating and whose face and heart are scarred, but who still holds the capacity to love and be loved. Eleanor’s story will move readers. (May)

I loved this book and the quirky Eleanor!

This is Just a Test

From Publisher's Weekly..

Sydney Taylor Honor

In this sensitively written story from Rosenberg (Nanny X) and Shang (The Way Home Looks Now), 12-year-old David is torn between two identities and two friends, and since it’s the Reagan-era ’80s he’s also terrified of nuclear war. David’s Chinese and Jewish grandmothers have uprooted themselves to be closer to David and his sister, and both women vie to make their culture the dominant one in the house. At school, David jumps at the chance to learn how to be smooth around girls from popular student Scott. David’s best friend Hector rounds out a trivia team that Scott and David form, but Hector’s uncool tendencies (such as his repeated references to old movies) lead David to leave Hector out of Scott’s new project: digging a fallout shelter. David is also preparing for his bar mitzvah, a journey filled with humor, emotional depth, and important realizations about what it means to be a friend and to embrace multiple cultures. His struggle to make sense of the Cold War will resonate with readers grappling with a confusing political climate themselves. Ages 8–12. Agent: (for Shang) Tracey Adams, Adams Literary; (for Rosenberg) Susan Cohen, Writers House. (June)

Excellent!

The First Rule of Punk

From Publisher's Weekly...

Belpre author honor..

After María Luisa O’Neill-Morales—Malú for short—and her divorced mother move from Florida to Chicago, the 12-year-old struggles with having her music-loving father so far away and with living up to a mother she has nicknamed SuperMexican. “Admit it, Mom,” Malú says during one of their squabbles. “I’m just your weird, unladylike, sloppy-Spanish-speaking, half-Mexican kid.” Malú takes solace in punk music and in creating handmade zines, which appear throughout; she also begins to make friends, forming a band—the Co-Co’s—that blends punk and Mexican music. (It also reclaims the slur “coconut,” which one of Malú’s classmates calls her.) Pérez’s debut is as exuberant as its heroine, who discovers that there’s real overlap between her Mexican heritage and the punk ethos she so admires. The relationships between children and parents are handled especially well: Malú chafes at her mother’s traditionalism while idolizing her friend Joe’s mother, a cafe owner who represents a merging of Mexican and punk cultures in a way that impresses Malú. A rowdy reminder that people are at their best when they aren’t forced into neat, tidy boxes. Ages 9–12. Agent: Stefanie Von Borstel, Full Circle Literary. (Aug.)

Excellent!

Twelve Days in May Freedom Ride 1961

Publisher's Weekly Review..
Siebert Winner

Using a straightforward, present-tense narrative and a diary-style format, Brimner (The Rain Wizard) recounts the first freedom ride of the civil rights movement. After opening with a recap of several landmark court cases that affected civil rights for African-Americans, the third-person retrospective begins a day-by-day account of the bus journey in May 1961: “They are men and women, young and old, black and white. They are people with a plan.... They are prepared for the unexpected.” The 13 riders, all promising nonviolence, left Washington, D.C., aboard two buses bound for Louisiana in an effort to integrate interstate travel facilities. The further south they traveled, the more violent local reaction became. Black typeface on white pages alternates with white typeface against black backdrops to stark effect, and words taken from quotations, segregation signs, or slogans from the ride occasionally pop out from the pages. Archival photos depict the ride and violent confrontations, including the firebombing of one bus. This well-researched and accessible account of a precedent-setting protest ends with an epilogue, updates on the 13 riders, a bibliography, source notes, and index. Ages 10–up

Very good but very disturbing and difficult to read...

Hello, Universe

From Publisher's Weekly..
Newbery winner

Kelly (The Land of Forgotten Girls) offers up a charming novel about a serendipitous friendship that forms among a trio of sixth graders after a bully’s heartless act brings them together. Virgil Salinas, an immensely shy 11-year-old, lives in the shadow of his boisterous family, struggles in school, and wants little more than to hang out with his guinea pig, Gulliver, and friend, Kaori Tanaka, a self-proclaimed psychic. Virgil’s classmate Valencia, who is ostracized at school because of her near deafness, longs for a friend for the summer and hopes that Kaori’s psychic powers might help her vanquish her recurring nightmares. Instead, Kaori enlists Valencia’s help to rescue Virgil after he fails to show up for a scheduled meeting. Kelly rotates among the viewpoints of Kaori, Virgil, Valencia, and neighborhood bully Chet, who contribute their own distinct stories, voices, and challenges. Infused with humor and hope, this book deftly conveys messages of resilience and self-acceptance through simple acts of everyday courage. Readers will be left inspired to tackle life’s fears head-on. Ages 8–12.

Adorable!  But Newbery winner??

Viva, Rose!

From Publisher's Weekly

Sydney Taylor (older readers) honor

Set in 1915, Krawitz’s first novel combines the world of a storied revolutionary with that of Russian Jewish immigrants who settled in the west. Thirteen-year-old Rose Solomon is enraged to discover, via a newspaper photo, that her older brother, Abraham, has not left their Texas home to be a cowboy, but rather to be “a low-life bandit in a cowboy hat,” alongside outlaw Pancho Villa. Rose is herself tempted to run from her traditional, conservative family, but when she ventures off to mail her brother a piece of her mind, she is kidnapped by Villa’s men. Her eyes are opened wide living with revolutionaries at Villa’s bandido camp, where she learns to ride a horse, the truth about her brother, and the complexities of the Mexican Revolution. Readers will enjoy Rose’s fiery personality and equally brash narration in this engaging historical adventure. Yiddish and Spanish glossaries and an author’s note detailing how her story sticks to and diverges from actual events (Rose and Abe are based on Krawitz’s own relatives) are included. Ages 10–up. 

Excellent!

The Grave's a Fine and Private Place

From Publisher's Weekly...

Set in England in 1952, Agatha-winner Bradley’s outstanding ninth Flavia de Luce novel (after 2016’s Thrice the Brinded Cat Hath Mew’d) finds 12-year-old Flavia contemplating suicide in the wake of a family tragedy. To relieve the increased tension between Flavia and her two older sisters, Dogger, the de Luce family’s long-serving and devoted servant, proposes an extended boat trip on the river. All is uneventful until the skiff nears the site where a notorious poisoner, Canon Whitbread, discarded the chalice he used in his crimes. Flavia’s hand, trailing behind the boat, comes into contact with the corpse of the canon’s son, Orlando. Unperturbed, Flavia uses her handkerchief to swab liquid from the dead man’s lips, and she and Dogger jury-rig a forensic lab to examine the sample. Though disappointed when the evidence shows Orlando was drowned instead of poisoned, Flavia persists with her amateur detecting, even as she runs afoul of the local constable. As usual, Bradley makes his improbable series conceit work and relieves the plot’s inherent darkness with clever humor.

Entertaining, but not as good as others in the series.  

The Stars Beneath Our Feet

From Publisher's Weekly..
John Steptoe Award for New Talent (Coretta Scott King) 2018

Wallace “Lolly” Rachpaul, 12, is still reeling from the murder of his older brother, Jermaine. The only thing that makes him feel better is building with Legos, and after his mother’s girlfriend, Yvonne, gives him two trash bags full of loose Legos for Christmas, he lets his imagination soar. When Lolly’s creation outgrows his West Indian family’s Harlem apartment, he moves it to the rec center. Encouraged by the facility’s director, Mr. Ali, Lolly and Big Rose, a girl with autism, begin to build “the alien metropolis of Harmonee.” Outside the safety of the rec center, life for Lolly and his best friend Vega is getting more complicated. Two older boys, Harp and Gully, are hassling them, and their menacing presence escalates into an act of violence. Debut author Moore delivers a realistic and at times brutal portrait of life for young people of color who are living on the edge of poverty. At the same time, Moore infuses the story with hope and aspiration, giving Lolly the chance to find salvation through creativity. Ages 10–up.

Excellent! I loved the artistic lego building aspect.

We Are Okay

From Publisher's Weekly...
2018 Printz Award

Over the winter holidays, college freshman Marin opts to remain in an empty dorm in New York rather than go home to California. The reasons she decides to stay gently unfold one layer at a time, in an introspective novel that powerfully explores her solitude and conflicted emotions against the backdrop of a stormy, icy winter. Marin’s temptation to burrow under the covers and “stay in bed all day” has to be put on hold when an old friend, Mabel, comes for a visit. As Mabel attempts to persuade Marin to return to San Francisco (at least for a while), Marin is forced to confront the past she is trying to forget, namely the summer that began with Marin and Mabel taking their friendship into thrilling new territory and ended with the death of Marin’s caretaker grandfather and the exposure of disturbing secrets. Through Marin’s memories and cautious conversations with Mabel, LaCour (Hold Still) conjures a moving portrait of a girl struggling to rebound after everything she’s known has been thrown into disarray. Ages 14–up. 

Beautiful!

The Epic Fail or Arturo Zamora

From Publisher's Weekly...

Belpre Author Honor

In a vibrant debut novel about family, friendship, and community, Cartaya introduces 13-year-old Arturo Zamora, whose mother runs the family’s busy Miami restaurant, which overflows with cousins and customers. But it’s the family’s charismatic matriarch, Abuela, whose warmth makes every customer feel appreciated. Complications ensue with the arrival of Carmen, a family friend from Spain who stirs romantic feelings in Arturo, and after Arturo learns that the restaurant is being threatened by a developer’s plans to build an upscale multi-use high-rise. In addition to Arturo’s funny and candid narration, Cartaya’s storytelling features Twitter exchanges, script-style dialogue, letters from Arturo’s deceased Abuelo, and poetry by activist José Martí; the dialogue smoothly shifts between English and Spanish, and readers unfamiliar with the latter should have no trouble using context to discern words and phrases they don’t know. A memorable supporting cast bolsters Arturo as he tries to preserve the restaurant and his family’s apartment complex, navigates his first romance, and learns more about his Cuban roots from the precious letters Abuela gives him. Ages 10–up. 

Ok, got better towards the end.  

Lucky Broken Girl

From Publisher's Weekly...
Pura Belpre

Set in 1966, this strongly sketched novel, adult author Behar’s first for children, focuses on a 10-year-old Cuban immigrant whose injury forces a prolonged convalescence and rehabilitation. The story begins with Ruthie Mizrahi moving up from the “dumb class” (where she learned English) to the “regular fifth grade class” at her school in New York City. However, a car accident leaves Ruthie so severely injured that she spends almost a year sequestered in her room in a body cast (“My bed is my island; my bed is my prison; my bed is my home”). Readers will get a powerful sense of the historical setting through Ruthie’s narration, but the novel is perhaps defined even more by her family’s status as immigrants and by its memorable multicultural cast. Some dialogue can ring false (“I am a bit of a hippie. I believe in peace, love, and flower power,” explains the tutor sent to work with Ruthie), but Behar successfully juggles several engaging plot threads, and Ruthie’s complicated relationship with her mother, given the demands of her care, is especially compelling. Ages 10–up. Agent: Alyssa Eisner Henkin, Trident Media Group. (Apr.)

Beautiful! Although the main character is wise beyond her years...

Piecing me Together

From Publisher's Weekly...

Newbery Honor and Coretta Scott King Author Winner

Jade Butler, an African-American artist-in-the-making, lives with her mother in Portland, Ore., and travels by bus to private school, where she is both grateful for and resentful of the opportunities presented to her. In short, poetic chapters, Jade ponders her family, school, and neighborhood relationships, wondering where she fits in: “How I am someone’s answered prayer but also someone’s deferred dream.” Watson (This Side of Home) weaves collage imagery throughout the story as Jade ruminates over historical figures such as York, the slave who traveled with Lewis and Clark, and distressing current events, including police violence against a neighborhood girl: “I am ripping and cutting. Gluing and pasting. Rearranging reality, redefining, covering, disguising. Tonight I am taking ugly and making beautiful.” Jade’s narrative voice offers compelling reflections on the complexities of race and gender, class and privilege, and fear and courage, while conveying the conflicted emotions of an ambitious, loyal girl. Teeming with compassion and insight, Watson’s story trumpets the power of artistic expression to re-envision and change the world. Ages 12–up. 

Very good! Similar to The Hate You Give but without the violence and profanity. 

Refugee

From Publisher's Weekly
Winner Sydney Taylor for older readers

In this hard-hitting novel, Gratz (Projekt 1065) skillfully intertwines the stories of three protagonists seeking asylum with their respective families. Twelve-year-old Josef is fleeing Nazi Germany on a ship headed for Cuba in 1939; in 1994, 11-year-old Isabel leaves Cuba for the United States aboard a boat; and 12-year-old Mahmoud leaves Syria in 2015 after a bomb destroys his family’s apartment building. Though set in different political landscapes, the harrowing narratives share a sense of urgency, danger, and sacrifice, and the brief chapters keep each story fresh in readers’ minds. Each character confronts exceptional challenges: Josef must behave as the adult when his father returns shattered from a concentration camp, and Mahmoud realizes that the invisibility he cultivated in Aleppo is less of an asset in Greece (“They only see us when we do something they don’t want us to do”). Filled with both tragic loss and ample evidence of resilience, these memorable and tightly plotted stories contextualize and give voice to current refugee crises, underscoring that these journeys are born out of a desperate need for security and safety. Ages 9–12.

Excellent and moving..

The Librarian of Auschwitz

From Publisher's Weekly...

Winner Sydney Taylor teen

Drawing on his own interviews with Holocaust survivor Dita Kraus, who now lives in Israel, Spanish author Iturbe describes the horrors of Auschwitz-Birkenau in unflinching, straightforward prose (smoothly translated by Thwaites) that reflects his journalism background. A fierce lover of books, 14-year-old Dita helps out in the makeshift school of Block 31, the children’s block in the family camp, and volunteers to take care of eight precious but forbidden books, risking certain death if she were to be found out. The role of librarian for Block 31’s tiny collection gives Dita a sense of purpose in a bleak camp where death, torture, and humiliation are omnipresent. As Dita’s story unfolds, alternating between her present circumstances at the camp and her memories of Prague and the ghetto of Terezín (“a city where the streets led nowhere”), Iturbe interweaves the names and stories of other survivors and victims of Auschwitz, turning the narrative into a monument of remembrance and history. All but guaranteed to send readers searching for more information, this is an unforgettable, heartbreaking novel. Ages 13–up. 

Excellent, although very graphic descriptions.  

The Whydah

School Library Journal Reviews YANF honor

Gr 6 Up—Sandler dispels many popular pirate-related myths and offers a more realistic and factual view of the era of piracy in the New World. Instead of living in abject poverty at the mercy of kings and nobles, many men embraced piracy as a means to support their families and live a comfortable life, though one often filled with barbarous acts. The author weaves a fascinating story about piracy and the legendary 18th-century pirate ship Whydah, which sunk off the coast of Cape Cod on April 24, 1717, during a perfect storm. He delves into the fates of the few survivors, early salvage attempts by poor locals and wealthy governors alike, and the long-term work of explorer Barry Clifford to find the sunken ship. In 1985, Clifford and his crew discovered the inscribed galley bell of the Whydah, and for 30 years, divers, marine historians, and archaeologists have continued to retrieve artifacts from the ocean depths. Occasional sidebars on specific topics, such as the mythic origins of the Jolly Roger flag and artifact restoration, break up the narrative flow but do contain valuable information. Sandler's approach to the Whydah and other submerged ships as "sunken time capsules" is an interesting angle that is sure to resonate with aspiring archaeologists.

Good!

Long Way Down

From Publisher's Weekly..
Newbery Honor, CSK Honor, National Book Award Honor, Printz Honor

Will, 15, is following his neighborhood’s well-established rules—don’t cry, don’t snitch, but do get revenge “if someone you love/ gets killed”—when he leaves his apartment, intent on killing whoever murdered his older brother, Shawn. He’s emboldened by the gun tucked into his waistband: “I put my hand behind my back/ felt the imprint/ of the piece, like/ another piece/ of me/ an extra vertebra,/ some more/ backbone.” As Will makes his way to the ground floor of his building, the elevator stops to accept passengers, each an important figure from his past, all victims of gun violence. Are these ghosts? Or is it Will’s subconscious at work, forcing him to think about what he intends to do and what it will accomplish? The story unfolds in the time it takes for the elevator to descend, and it ends with a two-word question that hits like a punch to the gut. Written entirely in spare verse, this is a tour de force from a writer who continues to demonstrate his skill as an exceptionally perceptive chronicler of what it means to be a black teen in America. Ages 12–up.

Very powerful...

The Cruelty

From Publisher's Weekly...

Edgar Award nomination

Liam Neeson’s 2008 film Taken concerned a spy who engages in mass mayhem while attempting to recover his kidnapped daughter. Bergstrom reverses this plot in his violent, well-crafted first novel. Seventeen-year-old gymnast Gwendolyn Bloom doesn’t learn that her father is a genuine spy—and not merely an overworked State Department employee—until after he is kidnapped by international gangsters, and the CIA makes little attempt to recover him. Vowing to find her father, Gwen heads for Europe, where she is intercepted by a tough Israeli agent who trains her in Krav Maga and spycraft. The seedy, back-alley Europe that Gwen moves through comes alive as she traces her father to Prague and gains employment with his murderous captors. It’s a premise that demands a degree of suspended disbelief, but Bergstrom manages Gwen’s transformation from high school student to assassin believably enough, and he doesn’t avoid the toll Gwen’s actions take on her. Not for the weak of heart, this is a grim, fast-paced tale that stands knee-deep in dead bodies. Ages 17–up. 

Pretty exciting but a little unbelievable....some swearing and violence.  

#NotYourPrincess

From Publisher's Weekly...
YALSA NF award finalist

The team behind Dreaming in Indian again celebrates a range of indigenous perspectives through a vivid mixture of poetry, essays, and artwork. The book’s four sections correlate to themes of connection, abuse, stereotype, and power. Lianne Charlie contributes a grid of collages and photographs that reflect her creative output and cultural influences while mimicking the platform (Instagram) where she shares them. Sexual abuse and drug addiction surface in several entries (“girls like me/ break every day/ in this great city,” reads Gwen Benaway’s haunting “Honor Song”), and Tiffany Midge’s blistering “What’s There to Take Back?” scoffs at a publication’s call for submissions on the subject of reclaiming Peter Pan’s Tiger Lily (“Would anyone want to reclaim Frito Bandito? Aunt Jemima?... They are made from the same poison”). A closing section highlights stories and images of hope—athletes who have found success, an interview with a Cree doctor who overcame a traumatic youth, and a spread dedicated to teenage Standing Rock activist Anna Lee Rain Yellowhammer. A moving and powerful collection that draws strength from the variety of voices and lived experiences it represents. Ages 12–up. 

Beautiful and powerful!

Beyond the Bright Sea

From Publisher's Weekly...
Scott O'Dell Historical Fiction Award

Creating mystery and suspense in an unusual setting, Newbery Honor–winner Wolk (Wolf Hollow) spins an intriguing tale of an orphan determined to find her roots, set in the 1920s. As a baby, Crow was found in a boat washed up on a (fictional) Massachusetts island. Osh, the introverted painter who found her, named her and took her in. Since then, Crow has enjoyed a tranquil existence, except for being ostracized by those who believe she came from nearby Penikese Island, which housed lepers. When Crow, now 12, spots a fire across the water on Penikese, her curiosity is awakened. After persuading Osh and their friend Miss Maggie to investigate, she takes the first step in an emotional quest to discover who her parents were. Crow is a determined and dynamic heroine with a strong intuition, who pieces together the puzzle of her past while making profound realizations about the definition of family. Wolk’s economical prose clearly delineates Crow’s conflicting emotions and growing awareness, and readers will feel the love and loyalty that she, Osh, and Miss Maggie share. Ages 10–up. Agent: Jodi Reamer, Writers House. (May)

Beautiful story!

The Hate U Give

From Publisher's Weekly...
2017 Long List for National Book Award..

At home in a neighborhood riven with gang strife, Starr Carter, 16, is both the grocer’s daughter and an outsider, because she attends private school many miles away. But at Williamson Prep, where she’s among a handful of black students, she can’t be herself either: no slang, no anger, no attitude. That version of herself—“Williamson Starr”—“doesn’t give anyone a reason to call her ghetto.” She’s already wrestling with what Du Bois called “double consciousness” when she accepts a ride home from Khalil, a childhood friend, who is then pulled over and shot dead by a white cop. Starr’s voice commands attention from page one, a conflicted but clear-eyed lens through which debut author Thomas examines Khalil’s killing, casual racism at Williamson, and Starr’s strained relationship with her white boyfriend. Though Thomas’s story is heartbreakingly topical, its greatest strength is in its authentic depiction of a teenage girl, her loving family, and her attempts to reconcile what she knows to be true about their lives with the way those lives are depicted—and completely undervalued—by society at large. Ages 14–up.

Excellent! 

Orbiting Jupiter

From Publisher's Weekly...

Joseph Brook, 14, has been dealt a hand so bad that he deserves to win the foster family lottery, which he does, delivered into the care of the Hurds—loving, patient, thoughtful farmers. He arrives nearly mute, his social worker warning that, because of what he’s been through in detention, he doesn’t like the color orange, to be touched, or to be approached from behind. But Joseph thaws quickly, bonding with narrator, Jack, the last foster child the Hurds took in. Within weeks, Joseph shares his tragic history: he fell in love with a well-to-do girl, and she became pregnant at 13. The baby, Jupiter, is now in foster care, too, and Joseph desperately wants to find her. The plot can be heavy-handed, but Schmidt’s writing is so smooth and graceful that is easy to empathize with Joseph, who is victimized repeatedly—by his father, by adults who write him off before they meet him, by bullies who see an easy target. It’s a powerful story about second chances, all the more devastating because not everyone gets one. Ages 10–14. 

I really enjoyed this, and the ending took me by surprise.  

Ghost

From Publisher's Weekly
National Book Award Finalist...

Reynolds (As Brave As You) uses a light hand to delve into topics that include gun violence, class disparity, and bullying in this compelling series opener. Seventh-grader Castle Cranshaw, nicknamed Ghost, knows nothing about track when a former Olympian recruits him as a sprinter for one of the city's youth teams. As far as Ghost is concerned, "whoever invented track got the whole gun means go thing right," something he learned firsthand when his father tried to shoot Ghost and his mother in their apartment three years prior. The trauma has had ripple effects on Ghost, including angry outbursts ("I was the boy.... with all the scream inside"), altercations at school, stealing, and lying. Joining the track team provides new friends, goals, and an opportunity for Ghost to move beyond his past. Ghost is a well-meaning, personable narrator whose intense struggles are balanced by a love of world records, sunflower seeds, and his mother. Coach's relationship with Ghost develops into a surrogate father-son scenario, adding substantial emotional resonance and humor to the mix. Ages 10–up. Agent: Elena Giovinazzo, Pippin Properties. (Aug.)

Exellent!  Although, in real life his consequence for stealing would be much more severe...