The First Rule of Punk

From Publisher's Weekly...

Belpre author honor..

After María Luisa O’Neill-Morales—Malú for short—and her divorced mother move from Florida to Chicago, the 12-year-old struggles with having her music-loving father so far away and with living up to a mother she has nicknamed SuperMexican. “Admit it, Mom,” Malú says during one of their squabbles. “I’m just your weird, unladylike, sloppy-Spanish-speaking, half-Mexican kid.” Malú takes solace in punk music and in creating handmade zines, which appear throughout; she also begins to make friends, forming a band—the Co-Co’s—that blends punk and Mexican music. (It also reclaims the slur “coconut,” which one of Malú’s classmates calls her.) Pérez’s debut is as exuberant as its heroine, who discovers that there’s real overlap between her Mexican heritage and the punk ethos she so admires. The relationships between children and parents are handled especially well: Malú chafes at her mother’s traditionalism while idolizing her friend Joe’s mother, a cafe owner who represents a merging of Mexican and punk cultures in a way that impresses Malú. A rowdy reminder that people are at their best when they aren’t forced into neat, tidy boxes. Ages 9–12. Agent: Stefanie Von Borstel, Full Circle Literary. (Aug.)

Excellent!

Twelve Days in May Freedom Ride 1961

Publisher's Weekly Review..
Siebert Winner

Using a straightforward, present-tense narrative and a diary-style format, Brimner (The Rain Wizard) recounts the first freedom ride of the civil rights movement. After opening with a recap of several landmark court cases that affected civil rights for African-Americans, the third-person retrospective begins a day-by-day account of the bus journey in May 1961: “They are men and women, young and old, black and white. They are people with a plan.... They are prepared for the unexpected.” The 13 riders, all promising nonviolence, left Washington, D.C., aboard two buses bound for Louisiana in an effort to integrate interstate travel facilities. The further south they traveled, the more violent local reaction became. Black typeface on white pages alternates with white typeface against black backdrops to stark effect, and words taken from quotations, segregation signs, or slogans from the ride occasionally pop out from the pages. Archival photos depict the ride and violent confrontations, including the firebombing of one bus. This well-researched and accessible account of a precedent-setting protest ends with an epilogue, updates on the 13 riders, a bibliography, source notes, and index. Ages 10–up

Very good but very disturbing and difficult to read...

Hello, Universe

From Publisher's Weekly..
Newbery winner

Kelly (The Land of Forgotten Girls) offers up a charming novel about a serendipitous friendship that forms among a trio of sixth graders after a bully’s heartless act brings them together. Virgil Salinas, an immensely shy 11-year-old, lives in the shadow of his boisterous family, struggles in school, and wants little more than to hang out with his guinea pig, Gulliver, and friend, Kaori Tanaka, a self-proclaimed psychic. Virgil’s classmate Valencia, who is ostracized at school because of her near deafness, longs for a friend for the summer and hopes that Kaori’s psychic powers might help her vanquish her recurring nightmares. Instead, Kaori enlists Valencia’s help to rescue Virgil after he fails to show up for a scheduled meeting. Kelly rotates among the viewpoints of Kaori, Virgil, Valencia, and neighborhood bully Chet, who contribute their own distinct stories, voices, and challenges. Infused with humor and hope, this book deftly conveys messages of resilience and self-acceptance through simple acts of everyday courage. Readers will be left inspired to tackle life’s fears head-on. Ages 8–12.

Adorable!  But Newbery winner??

Viva, Rose!

From Publisher's Weekly

Sydney Taylor (older readers) honor

Set in 1915, Krawitz’s first novel combines the world of a storied revolutionary with that of Russian Jewish immigrants who settled in the west. Thirteen-year-old Rose Solomon is enraged to discover, via a newspaper photo, that her older brother, Abraham, has not left their Texas home to be a cowboy, but rather to be “a low-life bandit in a cowboy hat,” alongside outlaw Pancho Villa. Rose is herself tempted to run from her traditional, conservative family, but when she ventures off to mail her brother a piece of her mind, she is kidnapped by Villa’s men. Her eyes are opened wide living with revolutionaries at Villa’s bandido camp, where she learns to ride a horse, the truth about her brother, and the complexities of the Mexican Revolution. Readers will enjoy Rose’s fiery personality and equally brash narration in this engaging historical adventure. Yiddish and Spanish glossaries and an author’s note detailing how her story sticks to and diverges from actual events (Rose and Abe are based on Krawitz’s own relatives) are included. Ages 10–up. 

Excellent!

The Grave's a Fine and Private Place

From Publisher's Weekly...

Set in England in 1952, Agatha-winner Bradley’s outstanding ninth Flavia de Luce novel (after 2016’s Thrice the Brinded Cat Hath Mew’d) finds 12-year-old Flavia contemplating suicide in the wake of a family tragedy. To relieve the increased tension between Flavia and her two older sisters, Dogger, the de Luce family’s long-serving and devoted servant, proposes an extended boat trip on the river. All is uneventful until the skiff nears the site where a notorious poisoner, Canon Whitbread, discarded the chalice he used in his crimes. Flavia’s hand, trailing behind the boat, comes into contact with the corpse of the canon’s son, Orlando. Unperturbed, Flavia uses her handkerchief to swab liquid from the dead man’s lips, and she and Dogger jury-rig a forensic lab to examine the sample. Though disappointed when the evidence shows Orlando was drowned instead of poisoned, Flavia persists with her amateur detecting, even as she runs afoul of the local constable. As usual, Bradley makes his improbable series conceit work and relieves the plot’s inherent darkness with clever humor.

Entertaining, but not as good as others in the series.  

The Stars Beneath Our Feet

From Publisher's Weekly..
John Steptoe Award for New Talent (Coretta Scott King) 2018

Wallace “Lolly” Rachpaul, 12, is still reeling from the murder of his older brother, Jermaine. The only thing that makes him feel better is building with Legos, and after his mother’s girlfriend, Yvonne, gives him two trash bags full of loose Legos for Christmas, he lets his imagination soar. When Lolly’s creation outgrows his West Indian family’s Harlem apartment, he moves it to the rec center. Encouraged by the facility’s director, Mr. Ali, Lolly and Big Rose, a girl with autism, begin to build “the alien metropolis of Harmonee.” Outside the safety of the rec center, life for Lolly and his best friend Vega is getting more complicated. Two older boys, Harp and Gully, are hassling them, and their menacing presence escalates into an act of violence. Debut author Moore delivers a realistic and at times brutal portrait of life for young people of color who are living on the edge of poverty. At the same time, Moore infuses the story with hope and aspiration, giving Lolly the chance to find salvation through creativity. Ages 10–up.

Excellent! I loved the artistic lego building aspect.