Flowers for Algernon

From Amazon.com…

This is a wonderful and highly original novel about a mentally challenged man named Charlie who wanted to be smart. One day, his wish was granted. A group of scientists selected him for an experimental operation that raised his intelligence to genius level. Suddenly, Charlie found himself transformed, and life, as he knew it, changed.

His story is told entirely through Charlie's eyes and perceptions in the form of progress reports. The reader actually sees the change in Charlie take place, as his progress reports become more complex, well written, and filled with the angst of personal discovery and growth, as well as with his gradual awareness of his amazing and accelerated intellectual development.

The progress reports are a wonderful contrivance for facilitating the story, and the reader is one with Charlie on his voyage of self-discovery. What happens to Charlie in the long run is profoundly moving and thought provoking. It is no wonder that this author was the recipient of the Nebula Award, which is given by the Science Fiction Writers of America for having written the Best Novel of the Year. This is definitely a book well worth reading.

Excellent!  I really enjoyed this which is a little surprising considering how long ago it was written.  

Station Eleven

From Publisher's Weekly...
2014 National Book Award Finalist

Few themes are as played-out as that of post-apocalypse, but St. John Mandel (The Lola Quartet) finds a unique point of departure from which to examine civilization’s wreckage, beginning with a performance of King Lear cut short by the onstage death of its lead, Arthur Leander, from an apparent heart attack. On hand are an aspiring paramedic, Jeevan Chaudary, and a young actress, Kirsten Raymonde; Leander’s is only the first death they will witness, as a pandemic, the so-called Georgia Flu, quickly wipes out all but a few pockets of civilization. Twenty years later, Kirsten, now a member of a musical theater troupe, travels through a wasteland inhabited by a dangerous prophet and his followers. Guided only by the graphic novel called Station Eleven given to her by Leander before his death, she sets off on an arduous journey toward the Museum of Civilization, which is housed in a disused airport terminal. Kirsten is not the only survivor with a curious link to the actor: the story explores Jeevan’s past as an entertainment journalist and, in a series of flashbacks, his role in Leander’s decline. Also joining the cast are Leander’s first wife, Miranda, who is the artist behind Station Eleven, and his best friend, 70-year-old Clark Thompson, who tends to the terminal settlement Kirsten is seeking. With its wild fusion of celebrity gossip and grim future, this book shouldn’t work nearly so well, but St. John Mandel’s examination of the connections between individuals with disparate destinies makes a case for the worth of even a single life. (Sept.)

Excellent!  I love the connections between the characters and the dystopian setting.  

Fractured

From Kirkus...

Those intrigued by Terry’s first book about Kyla (Slated, 2012) will find themselves swimming in a morass of her memories in this second.

Kyla’s past lives as Lucy and Rain are indistinct and muddled. While Kyla has escaped the worst effects of being Slated (the wiping of her previous life and memories), her personality has definitely been fractured, as the title indicates. Readers are left to puzzle out what actually happened and why. The family she is placed with has direct ties to a martyred prime minister, and her personal doctor is the one who invented the Slating process. Coincidence? Irritatingly vague events and dream sequences abound and seem to have import, but the threads fail to cohere. Readers familiar with the first book will find seeming inconsistencies (Kyla’s visceral reaction to blood late in the book contrasts with a not-so-visceral one in an early scene) confusing, and they will wonder how and why the other characters seem to change personalities as quickly as Kyla does. In this shifting moral environment, there is so little to trust that the authorial manipulation of events becomes all too evident.

Readers who decide to go with the flow will reach a violent and surprising payoff, but it will take dedication to get there. (Dystopian romance. 12 & up)

This was just ok, and I agree with the review.

The Princess Bride

From Amazon...

Anyone who lived through the 1980s may find it impossible—inconceivable, even—to equate The Princess Bride with anything other than the sweet, celluloid romance of Westley and Buttercup, but the film is only a fraction of the ingenious storytelling you'll find in these pages. Rich in character and satire, the novel is set in 1941 and framed cleverly as an “abridged” retelling of a centuries-old tale set in the fabled country of Florin that's home to “Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest men. Chases. Escapes. Lies. Truths. Passions.”

I hadn't read this before and I really enjoyed it....

The Miniaturist

From Publisher's Weekly...

Late 17th-century Amsterdam is the sumptuous backdrop for this debut novel about a young Dutch girl from the village of Assendelft, Nella Oortman, who is chosen to be the bride of Johannes Brandt, a wealthy merchant with a shocking secret. Not long after Nella’s arrival in the city, her enigmatic husband presents her with a beautifully wrought cabinet, an exact replica of the house in which they live with Brandt’s sister, Marin, and their loyal servants. Nella engages a miniaturist to fill it and begins to encounter mysteries no one is willing to explain, secrets in which everyone in the household is implicated. The elusive miniaturist, too, seems to know more than Nella, as reflected in the tiny dolls and furniture he creates for the cabinet. The artisan may even be able to predict the future: he sends Nella portentous objects she has not commissioned, such as a cradle and a perfect replica of Brandt’s beloved dog stained with blood. As in all good historical novels, the setting is a major character; in this case the city of Amsterdam, with its waterways and warehouses, confectioners’ shops, and kitchens, teems with period detail. Myriad plot twists involve Brandt’s commercial activities, especially the stores of precious sugar cones from Surinam, and the tragic, fatal consequences of illicit love affairs. Strangely enough, however, the central mystery, the miniaturist’s uncanny knowledge of the future, is never solved, and the reader is left unsatisfied. (Aug.)

Good...loved the Amsterdam period details.  

The Girl on the Train

From Publisher's Weekly...

Rachel Watson, the principal narrator of Hawkins’s psychologically astute debut, is obsessed with her ex-husband, Tom. She’s having a hard time putting the past behind her, especially since she confronts it daily, during the hourlong commute to London from her rented room in Ashbury, Oxfordshire, when her train passes the Victorian house she once shared with Tom. She also frequently spies an attractive couple, four doors down from her former home, who she imagines to be enjoying the happily-ever-after that eluded her. Then, suddenly, the woman, pixie-ish blonde Megan Hipwell, vanishes—only to turn up on the front page of the tabloids as missing. The police want to question Rachel, after Anna, Tom’s new wife, tells them that Rachel was in the area drunkenly out of control around the time of Megan’s disappearance. Hawkins, formerly deputy personal finance editor of the Times of London, deftly shifts between the accounts of the addled Rachel, as she desperately tries to remember what happened, Megan, and, eventually, Anna, for maximum suspense. The surprise-packed narratives hurtle toward a stunning climax, horrifying as a train wreck and just as riveting.

Excellent!  I read this in a day.  Reminiscent of Gone Girl, but I liked this better.  

Me and Earl and the Dying Girl

From Publisher's Weekly...

In his debut novel, Andrews tackles some heavy subjects with irreverence and insouciance. Senior Greg Gaines has drifted through high school trying to be friendly with everyone but friends with no one, moving between cliques without committing. His only hobby is making awful movies with his foul-mouthed pal Earl. Greg’s carefully maintained routine is upset when his mother encourages him to spend time with Rachel, a classmate suffering from leukemia. Greg begrudgingly rekindles his friendship with Rachel, before being conned into making a movie about her. Narrated by Greg, who brings self-deprecation to new heights (or maybe depths), this tale tries a little too hard to be both funny and tragic, mixing crude humor and painful self-awareness. Readers may be either entertained or exhausted by the grab bag of narrative devices Andrews employs (screenplay-style passages, bulleted lists, movie reviews, fake newspaper headlines, outlines). In trying to defy the usual tearjerker tropes, Andrews ends up with an oddly unaffecting story. Ages 14–up. 

I read this book because it's being made into a movie, and I know students will be asking for it when school starts up again.  It's about a guy who is a senior in high school so it's not really middle school appropriate, but maybe I'll add one copy to the LBJ collection.  But, I agree with the review...it's a tiresome read with lots of teen angst.  Not that good!