Beyond the Bright Sea

From Publisher's Weekly...
Scott O'Dell Historical Fiction Award

Creating mystery and suspense in an unusual setting, Newbery Honor–winner Wolk (Wolf Hollow) spins an intriguing tale of an orphan determined to find her roots, set in the 1920s. As a baby, Crow was found in a boat washed up on a (fictional) Massachusetts island. Osh, the introverted painter who found her, named her and took her in. Since then, Crow has enjoyed a tranquil existence, except for being ostracized by those who believe she came from nearby Penikese Island, which housed lepers. When Crow, now 12, spots a fire across the water on Penikese, her curiosity is awakened. After persuading Osh and their friend Miss Maggie to investigate, she takes the first step in an emotional quest to discover who her parents were. Crow is a determined and dynamic heroine with a strong intuition, who pieces together the puzzle of her past while making profound realizations about the definition of family. Wolk’s economical prose clearly delineates Crow’s conflicting emotions and growing awareness, and readers will feel the love and loyalty that she, Osh, and Miss Maggie share. Ages 10–up. Agent: Jodi Reamer, Writers House. (May)

Beautiful story!

The Hate U Give

From Publisher's Weekly...
2017 Long List for National Book Award..

At home in a neighborhood riven with gang strife, Starr Carter, 16, is both the grocer’s daughter and an outsider, because she attends private school many miles away. But at Williamson Prep, where she’s among a handful of black students, she can’t be herself either: no slang, no anger, no attitude. That version of herself—“Williamson Starr”—“doesn’t give anyone a reason to call her ghetto.” She’s already wrestling with what Du Bois called “double consciousness” when she accepts a ride home from Khalil, a childhood friend, who is then pulled over and shot dead by a white cop. Starr’s voice commands attention from page one, a conflicted but clear-eyed lens through which debut author Thomas examines Khalil’s killing, casual racism at Williamson, and Starr’s strained relationship with her white boyfriend. Though Thomas’s story is heartbreakingly topical, its greatest strength is in its authentic depiction of a teenage girl, her loving family, and her attempts to reconcile what she knows to be true about their lives with the way those lives are depicted—and completely undervalued—by society at large. Ages 14–up.

Excellent! 

Orbiting Jupiter

From Publisher's Weekly...

Joseph Brook, 14, has been dealt a hand so bad that he deserves to win the foster family lottery, which he does, delivered into the care of the Hurds—loving, patient, thoughtful farmers. He arrives nearly mute, his social worker warning that, because of what he’s been through in detention, he doesn’t like the color orange, to be touched, or to be approached from behind. But Joseph thaws quickly, bonding with narrator, Jack, the last foster child the Hurds took in. Within weeks, Joseph shares his tragic history: he fell in love with a well-to-do girl, and she became pregnant at 13. The baby, Jupiter, is now in foster care, too, and Joseph desperately wants to find her. The plot can be heavy-handed, but Schmidt’s writing is so smooth and graceful that is easy to empathize with Joseph, who is victimized repeatedly—by his father, by adults who write him off before they meet him, by bullies who see an easy target. It’s a powerful story about second chances, all the more devastating because not everyone gets one. Ages 10–14. 

I really enjoyed this, and the ending took me by surprise.  

Ghost

From Publisher's Weekly
National Book Award Finalist...

Reynolds (As Brave As You) uses a light hand to delve into topics that include gun violence, class disparity, and bullying in this compelling series opener. Seventh-grader Castle Cranshaw, nicknamed Ghost, knows nothing about track when a former Olympian recruits him as a sprinter for one of the city's youth teams. As far as Ghost is concerned, "whoever invented track got the whole gun means go thing right," something he learned firsthand when his father tried to shoot Ghost and his mother in their apartment three years prior. The trauma has had ripple effects on Ghost, including angry outbursts ("I was the boy.... with all the scream inside"), altercations at school, stealing, and lying. Joining the track team provides new friends, goals, and an opportunity for Ghost to move beyond his past. Ghost is a well-meaning, personable narrator whose intense struggles are balanced by a love of world records, sunflower seeds, and his mother. Coach's relationship with Ghost develops into a surrogate father-son scenario, adding substantial emotional resonance and humor to the mix. Ages 10–up. Agent: Elena Giovinazzo, Pippin Properties. (Aug.)

Exellent!  Although, in real life his consequence for stealing would be much more severe...

Clayton Byrd Goes Underground

From Publisher's Weekly...

Short List for National Book Award

This slim novel strikes a strong chord. Clayton Byrd revels in playing the blues harp (harmonica) with his grandfather, Cool Papa Byrd, and other blues musicians in New York City’s Washington Square Park, and he longs to play his own solo: “Twelve bars. That was all.” Cool Papa is Clayton’s favorite relative and ally, and his sudden death throws Clayton into an emotional spiral, especially as his mother’s unresolved feelings toward her father cause her to sell off his possessions. Newbery Honor–winner Williams-Garcia (One Crazy Summer) creates a memorable cast and sketches complex, nuanced relationships, especially between Clayton and his mother, contrasting Clayton’s closeness with his grandfather to the complicated absence of Clayton’s own father. Clayton’s grief causes dustups at school and church, and the stakes and tension rise considerably as Clayton meets a band of teenage subway performers, who get him to join their show then steal his grandfather’s treasured hat. It’s a holistic portrait of a family in pain, a realistic portrait of grief and reconciliation, and a reminder that sadness and loss are wrapped up in the blues. Ages 8–12. (May)

Adorable!

I Am Not Your Perfect Mexican Daughter

From Publisher's Weekly...

Short List for National Book Award

Why isn’t 15-year-old Julia Reyes a perfect Mexican daughter in her mother’s eyes? Mostly because of her older sister, Olga, who puts family first, listens to her parents, and dresses conservatively. Julia, by contrast, argues with her mother, talks back at school, and dreams of becoming a famous writer. When Olga dies suddenly, Julia is left wishing that they had been closer and grieving what she sees as Olga’s wasted life. And when she starts to suspect that Olga might not have been so perfect, she follows every clue. Sánchez’s debut novel covers a lot of ground, including Julia’s day-to-day activities in Chicago, her college ambitions, her first boyfriend (who is white and comes from a wealthy neighborhood), her difficult relationship with her overprotective parents, and her search for Olga’s secrets. As the book moves along, Julia’s frustration with the many constraints she lives under—poverty, family expectations, and conditioning that she resents but can’t quite ignore—reaches dangerous levels. Julia is a sympathetic character, but Sánchez’s often expository writing keeps her and her struggles at arm’s length. Ages 14–up. 

Very good!

Artemis

From Publisher's Weekly...

Jazz Bashara, the heroine of this superior near-future thriller from bestseller Weir (The Martian), grew up in Artemis, the moon’s only city, where she dreams of becoming rich. For now, she works as a porter, supplementing her legal income by smuggling contraband. She hopes that her situation can improve drastically after she’s offered an impossible-to-refuse payday by wealthy entrepreneur Trond Landvik, who has used her in the past to get cigars from Earth. Trond asks Jazz to come up with a way to sabotage a competitor so that he can take over the moon’s aluminum industry. She develops an elaborate and clever plan that showcases her resourcefulness and intelligence, even as she continues to have misgivings about her client’s true agenda, suspicions borne out by subsequent complications. The sophisticated worldbuilding incorporates politics and economics, as well as scientifically plausible ways for a small city to function on the lunar surface. The independent, wisecracking lead could easily sustain a series. Weir leavens the hard SF with a healthy dose of humor. 

Excellent!